手卷与Waka和松树底画的部分 - 美国大都会艺术博物馆展品查阅

品名（中）	手卷与Waka和松树底画的部分
品名（英）	Section of a Handscroll with Waka and Underpainting of Pines
入馆年号	2020年，2020.396.17
策展部门	亚洲艺术（Asian Art）
创作者	Hon'ami Kōetsu 本阿弥光悦【1558 至 1637】【日本人】
创作年份	公元 1600 - 公元 1633
创作地区
分类	绘画（Paintings）
尺寸	图像: 11 7/8 × 22 3/8 英寸 (30.2 × 56.8 厘米) 整体 with mounting: 47 × 28 英寸 (119.4 × 71.1 厘米) 整体 with knobs: 47 × 29 3/4 英寸 (119.4 × 75.6 厘米)
介绍（中）	这幅长诗歌手卷的分离部分被重新装裱，作为自给自足的书法作品，在金色松树的抽象景观上刻有一首完整的 waka（31 音节宫廷诗句）。书法采用本见公越的独特风格，以动态但如此优雅的"散写"（chirashigaki）阵列呈现，有节奏地组成九列 - 有些很长，有些只包含一个字符 - 俏皮地将诗的5-7-5-7-7音节结构重新组合成一个新的作品。这个汉字和假名字符星座的整体平衡效果很好，构图的焦点在大胆的墨水字符"aki no tsuyu"秋の露的集群中。这三个字揭示了Kōetsu手的另外两个标志性特征。首先，他颠倒了秋秋这个人物的两个部分，让火在左边，而不是禾。其次，他将助词no以语音等效字符nō濃的高度草书形式呈现，以使其与前后的汉字字符一样突出。这首匿名诗出自《古今诗集》（《古琴若书》第545期）第11卷"爱"，唤起了一个女人对着长袍袖子哭泣的意象，为失去或单相思而心烦意乱。上面写着：ゆうされはいとゝひかたきわか袖に秋の露さへおきそはりつゝ Yū 纱雷巴伊藤堂日泷和嘎嘎嘎嘘じぁいぁف�ぁいぁぁいい（译者：约翰·
介绍（英）	This detached section of a long poetry handscroll was remounted to serve as a self-sufficient calligraphic composition, with a single complete waka (31-syllable court verse) inscribed atop an abstract landscape of pine trees painted in gold. The calligraphy is in the distinctive style of Hon’ami Kōetsu, rendered in a dynamic yet ever so elegant array of “scattered writing” (chirashigaki) rhythmically composed in nine columns—some long, some comprising but a single character—that playfully regroups the 5-7-5-7-7 syllable structure of the poem into a new composition. The overall balance of this constellation of kanji and kana characters works well, with a focal point of the composition in the cluster of boldly inked characters “aki no tsuyu” 秋の露. These three characters reveal two other trademark features of Kōetsu’s hand. First, he has reversed the two parts of the character aki 秋、so that 火 is on the left, rather than 禾. Second, he has rendered the particle no in a highly cursive form of the phonetically equivalent character nō 濃, in order to make it as prominent as the kanji characters that precede and follow it. The anonymous poem is from Book 11, “Love,” of the Collection of Poems Ancient and Modern (Kokin wakashū, no. 545), and evokes the imagery of a woman crying into the sleeve of her robe, distraught over lost or unrequited love. It reads: ゆうされは　いとゝひかたき　わか袖に　秋の露さへ　おきそはりつゝ Yū sareba itodo higataki wa ga sode ni aki no tsuyu sae okisawari-tsutsu As evening descends, it becomes ever harder to dry my tear-soaked sleeve, as the autumn dew also dampens it drop by drop. (Trans. John T. Carpenter)