《夏山的深绿》 - 美国大都会艺术博物馆展品查阅

品名（中）	《夏山的深绿》
品名（英）	“The Deep Green of Summer Mountains”
入馆年号	2020年，2020.396.41
策展部门	亚洲艺术（Asian Art）
创作者	Hine Taizan 日根對山【1813 至 1869】【日本人】
创作年份	公元 1850 - 公元 1859
创作地区
分类	绘画（Paintings）
尺寸	图像: 65 7/8 × 32 3/8 英寸 (167.3 × 82.2 厘米) 整体 with mounting: 87 1/2 × 41 5/8 英寸 (222.3 × 105.7 厘米) 整体 with knobs: 87 1/2 × 45 5/8 英寸 (222.3 × 115.9 厘米)
介绍（中）	在一幅中国风格的风景画中，文人画家海因·泰赞（Hine Taizan）精心描绘了文人和隐士在一个场景中的各种行为，这位艺术家用sui这个字命名为"夏日山脉的深绿"翠, 这意味着翠鸟羽毛的蓝绿色。在前景中，两位学者将书籍和一把琴带到了户外的一个山溪边的岩石露头上。再往上游，在水边一条有盖的人行道中，一个孤独的身影似乎在等待朋友的出现。部分隐藏在山坳中的是一座寺庙建筑群，象征着离开世俗世界，而背景是遥远的山峰，代表着对精神或哲学领域的形而上学沉浸太赞出生于泉省的日内村（今大阪泉三野市），1837年24岁时抵达京都，并一直活跃在首都，直到1869年57岁去世。早期，他师从卡诺画派画家Tōda Eiun桃田英雲在大阪。一些消息来源称，努基娜·凯奥库曾一度成为他的书法和绘画老师。他还结识了商人和日本古典文学学者Satoi Fukyu里井浮丘他住在家乡泉。扶余收藏了大量的绘画和书法，并通过扶余介绍给了重要的南迦派画家冈田汉克，他与冈田汉克一起学习
介绍（英）	In a Chinese-style landscape, the Literati painter Hine Taizan has meticulously depicted various goings-on of scholars and recluses amid a setting the artist has evocatively entitled “The Deep Green of Summer Mountains,” using the character sui 翠, which connotes the blue-green of kingfisher feathers. In the foreground two scholars have brought books and a qin (zither) to tête-à-tête outdoors upon a rocky outcrop along a mountain stream. Further upstream, amid a sprawling covered walkway along the water’s edge a solitary figure seems to be awaiting friends to appear. Partly hidden in the mountain recesses is a temple complex—symbol of leaving behind the secular world—while in the background are faraway peaks, representing a metaphysical immersion into a spiritual or philosophical realm. Taizan was born in Hine village in Izumi province (present-day Izumi-sano City in Osaka), and arrived in Kyoto in 1837 at age 24, and remained active in the capital until his death at age 57 in 1869. Early on he studied with the Kano school painter Tōda Eiun 桃田英雲 in Osaka. Some sources say that Nukina Kaioku became his teacher of calligraphy and painting for a while. He also became acquainted with the merchant and scholar of classical Japanese literature Satoi Fukyu 里井浮丘 who lived in his hometown of Izumi. Fukyu had a large collection of paintings and calligraphy, and also through Fukyu was introduced to the important Nanga painter Okada Hankō, with whom he studi