浅色风景 - 美国大都会艺术博物馆展品查阅

品名（中）	浅色风景
品名（英）	Landscape in Light Colors
入馆年号	2021年，2021.398.19
策展部门	亚洲艺术（Asian Art）
创作者	Aoki Shukuya 青木夙夜【1737 至 1802】【日本人】
创作年份	公元 1799
创作地区
分类	绘画（Paintings）
尺寸	图像: 38 7/8 × 16 3/16 英寸 (98.7 × 41.1 厘米) 整体 with mounting: 77 3/4 × 21 1/2 英寸 (197.5 × 54.6 厘米) 整体 with knobs: 77 3/4 × 23 7/8 英寸 (197.5 × 60.6 厘米)
介绍（中）	这幅浅色调的挂轴以精致的山水为特色，唤起了中国北宋不朽的山水传统。观众从右下角穿过一条蜿蜒的小路，进入一组四间茅草屋，小屋位于一块凸起的巨石后面，巨石支撑着三棵茂盛的落叶树。这个季节是秋天。一股喷涌而出的溪流从右上角的山谷中一路涌出，汇入前景左侧的一个池塘。再往上看，中间是另一组三间茅草屋，部分被前面巨石上的矮树遮住了。卷轴的上半部分专门描绘了一系列山峰，笼罩在丝绸负空间所代表的云带中；远处的山脉背景是淡蓝色，与中心不断上升的主峰互补，进一步表明了空间衰退的深度。舒库雅的风景令人印象深刻，但并不令人印象深刻。这要归功于一般的浅色调色板和稀释墨水中形式的微妙建模；叔谷师从著名的南葛画家池野泰和（1723-1776），他很可能查阅了18世纪将中国文人画家的山水画风格传入日本的印刷绘画手册在右上角，Murase Kōtei（1744–1819）的铭文表明这位艺术家是青木树屋，并将这幅画的年代定为1799年夏天，也就是这位艺术家去世的三年前。碑文还包括一首七行绝句，表达了诗人隐居山林的愿望，这一主题在中日文人画家中非常流行。
介绍（英）	This hanging scroll in light color features a sophisticated landscape evocative of the Chinese Northern Song monumental landscape tradition. The viewer is led by way of a meandering path from the lower right corner into a cluster of four thatched huts situated behind a bulging boulder that supports three luxuriant deciduous trees. The season is autumn. A gushing stream, stemming all the way from the mountain valley in the upper right corner, empties into a pond in the left part of the foreground. Further up in the middle ground is another cluster of three thatched huts, partially obscured by low trees on the imposing boulder in front. The upper half of the scroll is devoted to the depiction of a succession of mountain peaks, shrouded in bands of clouds represented by the negative space of the silk; depth of spatial recession is further suggested by distant mountains in pale washes of light blue in the background, complementing the rising main peaks in the center. Shukuya’s landscape is impressive and yet unimposing, thanks to the generally light palette and the subtle modeling of the forms in diluted ink; having studied with Ike no Taiga (1723–1776), a famous Nanga painter, Shukuya likely looked at printed painting manuals that transmitted Chinese literati painters’ landscape painting styles into Japan in the eighteenth century. In the upper right corner an inscription by Murase Kōtei (1744–1819) identifies the artist as Aoki Shukuya and dates the painting to summer of 1799, three years before the artist’s death. The inscription also includes a quatrain of seven-character lines that expresses the poet’s desire to live as a recluse in the mountains, a theme that was immensely popular amongst Chinese and Japanese literati painters.