白云和深红的树木 - 美国大都会艺术博物馆展品查阅

品名（中）	白云和深红的树木
品名（英）	White Clouds and Crimson Trees
入馆年号	2021年，2021.398.23
策展部门	亚洲艺术（Asian Art）
创作者	Tanomura Chokunyū 田能村直入【1814 至 1907】【日本人】
创作年份	公元 1888
创作地区
分类	绘画（Paintings）
尺寸	图像: 58 3/8 × 20 英寸 (148.3 × 50.8 厘米) 整体 with mounting: 91 × 25 7/8 英寸 (231.1 × 65.7 厘米) 整体 with knobs: 91 × 28 1/2 英寸 (231.1 × 72.4 厘米)
介绍（中）	Tanomura Chokuný是Tanomura Chikuden（1777-1835）的学生和养子，他是南迦派或文人派的主要画家。虽然没有养父那么出名，但Chokunyú是一位慈善家和画家，并因帮助建立京都第一所艺术学校而被人们铭记，这所学校现在被称为京都市艺术大学（Kyoto Shiritsu Geijutu Daigaku）。他本人是一位技艺高超的南迦派画家，擅长以与过去著名的中国艺术家相关的风格创作风景画 Chokuný可以进入前景较低的这片广阔的景观，在明亮的秋日，一艘小船停泊在一个热闹的小村庄附近。上面的构图是用赭石、孔雀石绿和天青石蓝突出的难以穿透的山峰。它们点缀着红色和粉红色的秋叶，周围环绕着盘旋的白云上面的铭文似乎是乔库尼本人的一首诗，或多或少地描述了画中的场景。作者赞美了秋天的美丽和繁荣的山村，然后想知道谁可能是这片繁荣土地的主人。乔库尼在他的签名中暗示了答案，这首诗紧随其后，表明艺术家为一位长期赞助人准备了这幅作品。
介绍（英）	Tanomura Chokunyū, was the student and adopted son of Tanomura Chikuden (1777–1835), a major painter of the Nanga, or literati, school. Although less well known than his adoptive father, Chokunyū was a philanthropist as well as a painter, and is remembered for helping to establish Kyoto’s first art school, now known as the Kyoto City University of Arts (Kyoto Shiritsu Geijutsu Daigaku). He himself was a highly skilled painter in the Nanga tradition, specializing in landscapes executed in styles associated with renowned Chinese artists of the past. Chokunyū provides access to this large landscape in the lower foreground, where a small boat is moored near a small village bustling on a bright autumn day. The composition above is devoted to impenetrable mountain peaks highlighted with ochre, malachite green, and azurite blue. They are dotted with autumnal foliage in red and pink and encircled by swirling white clouds. The inscription above appears to be a poem by Chokunyū himself that more or less describes the scene in the painting. The author extols the beauty of autumn and the flourishing mountain village, before wondering who might be the lord of this prosperous landChokunyū hints at the answer in his signature, which immediately follows the poem and suggests that the artist prepared this work for a longtime patron.