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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)封面
品名(英)Coverlet
入馆年号2021年,2021.227
策展部门美国之翼The American Wing
创作者
创作年份公元 1829
创作地区
分类
尺寸78 × 96 英寸 (198.1 × 243.8 厘米)
介绍(中)这款深蓝色靛蓝羊毛和未染色的白色纯棉双层布被套编织在一个宽面板上,两组经纱和两组纬线,在两面形成相同的图案,两种颜色颠倒。它的中心有六个大型花卉奖章,边缘被鹰的边界包围,上面有星星和三叶草。老鹰与尖顶建筑和两根共济会柱子交替出现,上面是地球仪和传统的共济会广场和指南针符号。在大型图案之间,有一只山羊、一个戴着礼帽的男人和一只旋转猴子的传统姿势的猴子的小重复人物。猴子和山羊坐在老鹰的脚下,小个子出现在长端的共济会柱子的底部。"MARY KEATOR"这个名字是制作被子的女人,在被子的头部和脚端编织了四次,包括向前和向后。所有四个角都有编织的铭文:AGRICUL/ TURE & MAN/ UFACTURES/ ARE THE FOUND/ ATION OF / OUR INDE/ PENDENCE./ JULY 4.1829年,


被罩的设计,通常被称为"农业与制造业"图案,是纽约州中部邻近的奥兰治,达奇斯,阿尔斯特和特拉华州最受欢迎的图案之一。已知的几种设计变体,通常分为三类。乍一看,这张被套似乎与博物馆收藏中的另外两个例子几乎相同:25.127 和 67.33。然而,这三种都有图案变化,这是由于个别织工改变了预穿孔制造的卡片,当连接到织机上时,有助于创建图案。这些更改可能是为了识别或"标记"其特定车间的被套。我们新收购的群体大部分可追溯到1825年至1830年之间,其特点是隐藏在边界中的三个小人物(猴子,山羊和人)的外观。在这种类型的被子上发现的名字通常可以追溯到达奇斯县。然而,这张被子的第一位主人玛丽·基托尔(Mary Keator,卒于 1851 年)一生都住在纽约州特拉华县的罗克斯伯里。这指出了几个可能的结论——要么玛丽在相对遥远的达奇斯县制作了她的被子,要么是小身材被子的原始编织者让另一个织工复制他的卡片,或者他把他的卡片交给了特拉华县的织布工,或者自己搬到了特拉华县。无论在什么情况下,美国之翼纺织品系列的福音是,我们现在拥有这个标志性的十九世纪早期纽约被罩设计的所有三种变体的例子。
介绍(英)This dark blue indigo wool and undyed white cotton double cloth coverlet is woven in one wide panel with two sets of warps and two sets of wefts, creating an identical pattern on both sides with the two colors reversed. It features six large floral medallions in the center, and edges are surrounded by a border of eagles, with stars and three leaf clovers above them. The eagles alternate with spired buildings and two Masonic columns surmounted by globes and the traditional Masonic square and compass symbol. In between the large motifs, there are tiny repeating figures of a goat, a man in a top hat, and a monkey in the traditional pose of the spinning monkey. The monkey and goat sit at the feet of the eagles on the narrow ends, and the small man appears at the bottom of the Masonic columns on the long ends. The name "MARY KEATOR" the woman for whom the coverlet was made, is woven four times across the head and foot ends of the coverlet, both forward and reverse. All four corners have the woven inscription: AGRICUL/ TURE & MAN/ UFACTURES/ ARE THE FOUND/ ATION OF/ OUR INDE/ PENDENCE./ JULY 4. 1829


The coverlet’s design, commonly known as the "Agriculture & Manufactures" pattern, was one of the most popular found in the neighboring counties of Orange, Dutchess, Ulster, and Delaware in mid-New York State. Several variations of the design are known, which generally fall into three categories. At first glance, this coverlet seems nearly identical to two other examples in the Museum’s collection: 25.127 and 67.33. However, all three have pattern variations that are due to individual weavers changing the pre-punched manufactured cards that, when attached to the loom, helped create the pattern. These changes may have been made in order to identify or "brand" the coverlets to their particular workshop. The group that our new acquisition falls into are for the most part dated between 1825 and 1830, and are distinguished by the appearance of the three small figures (monkey, goat and man) hidden in the borders. The names found on this type of coverlet have usually been traced to Dutchess County. However, Mary Keator (d.1851), the first owner of this coverlet, lived her whole life in Roxbury, Delaware County, NY. This points to several possible conclusions—either Mary had her coverlet made in relatively far-off Dutchess County, or the original weaver of the small figured coverlets let another weaver copy his cards, or he gave his cards to a Delaware County weaver, or moved to Delaware County himself. No matter what the circumstances, it is a boon to the American Wing textile collection that we now have examples of all three variations of this iconic early nineteenth century New York coverlet design.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。