圣方济各接受耻辱 - 美国大都会艺术博物馆展品查阅

品名（中）	圣方济各接受耻辱
品名（英）	St. Francis Receiving the Stigmata
入馆年号	2021年，2021.245
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Sir Edward Burne-Jones【1833 至 1898】【英国人】
创作年份	公元 1887
创作地区
分类	图画（Drawings）
尺寸	图像: 10 5/8 × 7 3/8 英寸 (27 × 18.7 厘米) 页: 10 5/8 × 7 13/16 英寸 (27 × 19.8 厘米)
介绍（中）	这幅水彩画的旅行和以前的所有权讲述了一个引人入胜的故事，同时提供了对艺术家对精神主题的浓厚兴趣的见解。伯恩-琼斯在1887年画了这幅作品，当时他得知他的前工作室助理爱德华·克利福德（Edward Clifford）计划前往夏威夷为英国教会研究麻风病控制。这是送给比利时天主教神父达米安神父的礼物，他于1873年在莫洛卡伊岛为麻风病人建立了传教所，打破了宗教和文化禁忌。达米安最终感染了这种疾病，并在接受水彩画四个月后于 1889 年去世。最后，他由德国出生的美国修女玛丽安·科普修女照顾，她继续他的事工，并将水彩画挂在传教团的麻风病人教堂里（达米安和玛丽安最近都被封圣了）。玛丽安于1918年去世后，这幅水彩画被保存在纽约锡拉丘兹的圣弗朗西斯修女会的档案中。伯恩-琼斯的信徒认为它输了，他们只能通过克利福德和乔治亚娜·伯恩-琼斯的书中的描述以及相关的石墨研究来了解这项工作。圣弗朗西斯花了一個世紀才被重新發現並由道格拉斯·E·舍恩海爾（Douglas E. Schoenherr）在"伯靈頓雜誌"（2018年9月）上發表，之後聖弗朗西斯修女會慷慨地將他們的寶藏捐給大會，以使其更廣泛地接近。
介绍（英）	This watercolor's travels and previous ownership tell a fascinating story while offering insights into the artist's deep interest in spiritual themes. Burne-Jones painted the work in 1887 when he learned that his former studio assistant, Edward Clifford, was planning a trip to Hawaii to research leprosy control for the Church of England. It was a gift for Father Damien, a Belgian Catholic priest who shattered religious and cultural taboos when he established a mission for lepers on the island of Moloka'i in 1873. Damien eventually contracted the disease and died in 1889, four months after receiving the watercolor. He was nursed at the end by Sister Marianne Cope, a German-born American nun who continued his ministry and hung the watercolor in the mission's leper chapel (both Damien and Marianne were recently canonized). After Marianne’s death in 1918, the watercolor was preserved in the archives of the Sisters of St. Francis, in Syracuse, New York. Burne-Jones devotees believed it lost, knowing the work only through descriptions in books by Clifford and Georgiana Burne-Jones and from related graphite studies. It took a century for St. Francis to be rediscovered and published in the "Burlington Magazine" (September 2018) by Douglas E. Schoenherr, after which the Sisters of St. Francis generously offered their treasure to the Met to make it more broadly accessible.