超越佛Akshobhya - 美国大都会艺术博物馆展品查阅

品名（中）	超越佛Akshobhya
品名（英）	The Transcendent Buddha Akshobhya
入馆年号	2021年，2021.288
策展部门	亚洲艺术（Asian Art）
创作者	Unidentified
创作年份	公元 1200 - 公元 1333
创作地区
分类	绘画（Paintings）
尺寸	图像: 30 1/16 × 24 3/4 英寸 (76.4 × 62.8 厘米)
介绍（中）	Akshobhya，"不动"，是早期西藏绘画的经典主题之一，代表了主持金刚乘佛教的五尊超验佛之一。他体现了将（更高的）现实与（物质）幻觉区分开来的纯净心灵，象征着他在宝座前展示的金刚权杖的力量。据了解，他体现了安抚侵略并将其转化为智慧的力量的最高表达。这幅画是五幅这样的画作之一，代表了五位超然智慧佛陀，即塔塔加塔，大致翻译为"那些进入[真理]最高完美的人"。他们通常在曼陀罗配置中受到尊敬，每个都呈现出特定的图像形式，以方向，身体颜色和属性区分。Akshobhya展示金刚，作为东方的保护者，肤色深蓝色（"像海洋一样"）。这是13世纪至14世纪初在西藏实行的寺院布画的伟大传统中幸存的少数绘画之一。它是由意大利藏学家朱塞佩·图奇（Giuseppe Tucci）在1928年至1948年间在西藏进行的八次研究考察之一中收集的。
介绍（英）	Akshobhya, the “Immovable One,” is one of the classic subjects of early Tibetan painting, a representation of one of the five Transcendent Buddhas who presided in Vajrayana Buddhism. He embodies the pure mind that distinguishes (higher) reality from (material) illusion, symbolized by the power of the vajra scepter he displays before his throne. He is understood to embody the highest expression of the power to pacify aggression and transmute it into wisdom. This painting functioned as one of a set of five such paintings, representing the five Transcendent Wisdom Buddhas, the Tathagatas, loosely translated as “those who have entered into [the truth of] highest perfection.” They were typically venerated in a mandala configuration, each assuming a specific iconographic form distinguished by directional orientation, body color and attributes. Akshobhya displays the vajra, serves as the protector of the East and is deep blue in complexion ("like the ocean"). This is one the few surviving painting from a grand tradition of monastic cloth painting practiced in Tibet in the 13th through to the early 14th century. It was collected by the Italian Tibetologist Giuseppe Tucci on one of his eight research expeditions undertaken in Tibet between 1928 and 1948.