先知塞缪尔的阴影由扫罗国王召唤，恩多女巫召唤 - 美国大都会艺术博物馆展品查阅

品名（中）	先知塞缪尔的阴影由扫罗国王召唤，恩多女巫召唤
品名（英）	The Shade of the Prophet Samuel Invoked by King Saul and Conjured by the Witch of Endor
入馆年号	2022年，2022.310
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Antoine Coypel【1661 至 1722】【法国人】
创作年份	公元 1690 - 公元 1700
创作地区	原产国: 法国（Country of Origin: France）
分类	图画（Drawings）
尺寸	页: 16 3/4 × 21 7/8 英寸 (42.5 × 55.5 厘米)
介绍（中）	安托万·科佩尔（Antoine Coypel）是横跨十七和十八世纪的这一代法国著名画家之一。他受到查尔斯·勒布伦（Charles Le Brun）和意大利艺术的影响，但也受到鲁本斯（Rubens）的风格和色彩的影响。他接受了国王以及菲利普二世、奥尔良公爵（Duc d'Orléans）、未来的摄政王的许多委托，并担任了包括皇家学院院长和国王第一位画家在内的著名职务这张巨大的、自发制作的纸，充满了活力和激情，突出了艺术家的创造力和对戏剧的品味。描述的这一集出自《旧约圣经》塞缪尔书第28章。以色列王扫罗在基利波与非利士人交战前夕，夜间乔装打扮，带着两个男仆前往恩多，那里有一个女人，是一个中间人。他请她召唤先知撒母耳的灵魂，撒母耳预言扫罗将在第二天被击败并杀死。科佩尔通过将人物置于乌云、头骨和猫头鹰的背景下来强调不祥的情绪巴黎美术学院（Ecole des beaux Arts，Paris）用红色粉笔绘制的一幅小的初步草图（PM 1102）是同一主题的早期构想。目前还没有幸存的画作。
介绍（英）	Antoine Coypel was one of the leading French painters in the generation that straddled the seventeenth and eighteenth centuries. He was influenced by Charles Le Brun and the art of Italy, but also by the manner and colorism of Rubens. He received many commissions from the King as well as from Philippe II, Duc d’Orléans, the future Regent andl held prestigious appointments including that of the Director of the Académie Royale and the First Painter to the King. This large, spontaneously executed sheet, full of brio and pentimenti, highlights the artist’s capacity for invention and taste for the theatrical. The episode depicted is from chapter 28 of the Book of Samuel in the Old Testament. On the eve of his battle with the Philistines at Gilboa, king Saul of Israel travels at night in disguise and with two male servants to Endor where there is a woman who is a medium. He asks her to summon the spirit of the prophet Samuel who predicts that Saul will be defeated and killed the following day. Coypel emphasizes the ominous mood by placing the figures against a backdrop of dark clouds, skulls, and owls. A small, preliminary sketch in red chalk at the Ecole des beaux-Arts, Paris (PM 1102) is an earlier idea for the same subject. No surviving painting is known.