舞会礼服 - 美国大都会艺术博物馆展品查阅

品名（中）	舞会礼服
品名（英）	Ball gown
入馆年号	2009年，2009.300.1007
策展部门	服装研究所（Costume Institute）
创作者
创作年份	公元 1837 - 公元 1845
创作地区
分类
尺寸
介绍（中）	这是18世纪织物如何被珍视的一个引人注目的例子。这种纺织品可能最初是一件17世纪40年代的连衣裙，在19世纪40年代初被拆开，然后重新配置成这种时尚的连衣裙。细长的腰部和V形的紧身胸衣突出了胸部和宽阔的肩膀，是这一时期连衣裙的主要特征 19世纪中期的女性轮廓包括合身的紧身胸衣和宽大的全裙。锥形裙发展于19世纪30年代，当时帝国轮廓的高腰被降低，裙子变得更像钟形，直到19世纪60年代末，裙子的丰满度被拉到了后面，热闹起来。这一时期的喇叭裙在整个过程中逐渐增大，并得到了许多方法的支持。最初的支撑来自多层衬裙，由于重量和不适，衬裙被由羽衣、藤条和金属等材料制成的渐变箍组成的衬裙所取代。这段时间的时尚让纺织品脱颖而出，因为裙子的表面积很大，多余的装饰也相对较少。
介绍（英）	This is a striking example of how 18th-century fabric was treasured. The textile was probably originally a 1740s dress which was taken apart and then reconfigured into this fashionable dress in the early 1840s. The elongated waist and V-shaped bodice front emphasize the bust and wide shoulders and were key features of the dresses of the period. The female silhouette of the middle of the 19th century consisted of a fitted corseted bodice and wide full skirts. The conical skirts developed between the 1830s, when the high waist of the Empire silhouette was lowered and the skirts became more bell shaped, to the late 1860s, when the fullness of the skirts were pulled to the back and the bustle developed. The flared skirts of the period gradually increased in size throughout and were supported by a number of methods. Originally support came from multiple layers of petticoats which, due to weight and discomfort, were supplanted by underskirts comprised of graduated hoops made from materials such as baleen, cane and metal. The fashions during this time allowed the textiles to stand out because of the vast surface areas of the skirt and a relatively minimal amount of excess trim.