舞会礼服 - 美国大都会艺术博物馆展品查阅

品名（中）	舞会礼服
品名（英）	Ball gown
入馆年号	2009年，2009.300.1324a, b
策展部门	服装研究所（Costume Institute）
创作者	House of Worth【1858 至 1956】【法国人】
创作年份	公元 1898
创作地区
分类
尺寸
介绍（中）	这件礼服是由一种非常特殊的织物制成的，这种织物是按照裙子的形状和尺寸编织的，这样蝴蝶就可以从下摆向上摆动，随着尺寸的增加，似乎消失在远处让-菲利普·沃斯于1875年开始担任父亲查尔斯·弗雷德里克·沃斯的助手。渐渐地，他被允许创作自己的设计，当他的父亲于1895年去世时，他成为了这所房子的首席设计师。他因在独特的纺织品上制作精致的艺术礼服而受到赞扬，就像他父亲在他之前一样。尽管在世纪之交，沃斯之家仍然受到皇室和名人的青睐，但1900年后，他们的风格不再是法国时尚的前沿。1910年左右，让-菲利普将他的设计工作限制在重要订单上，并聘请他的侄子让-查尔斯·沃斯担任新的首席设计师，然后在第一次世界大战后完全离开公司。
介绍（英）	This gown is made from a very special fabric which was woven à la disposition to fit the shape and dimensions of the skirt so that the butterflies flutter upward from the hem and, being graduated in size, seem to disappear in the distance. Jean-Philippe Worth began as an assistant to his father, Charles Frederick Worth, in 1875. Gradually he was allowed to create his own designs and when his father died in 1895, he became the lead designer for the house. He was praised for making elaborate artistic gowns with intricate trimmings on unique textiles, much like his father had before him. Although the House of Worth was still favored by royalty and celebrities through the turn of the century, their styles were no longer the forefront of French fashion after 1900. Around 1910 Jean-Philippe limited his design work to important orders and hired his nephew, Jean-Charles Worth, as the new lead designer before leaving the company entirely after World War I.