下午礼服 - 美国大都会艺术博物馆展品查阅

品名（中）	下午礼服
品名（英）	Afternoon dress
入馆年号	2009年，2009.300.1681
策展部门	服装研究所（Costume Institute）
创作者	House of Worth【1858 至 1956】【法国人】
创作年份	公元 1889
创作地区
分类
尺寸
介绍（中）	沃斯在1873年左右创造了公主系列。这种形状是由于从脖子、胸部到裙子的接缝没有中断，就像之前的许多设计一样。这件连衣裙在其历史参考中有一种宏伟的感觉，袖子和金属蕾丝波莱罗让人想起了美第奇的风格 Charles Frederick Worth出生于英国，年轻时在伦敦的纺织商工作，同时在博物馆研究艺术史。1845年，他搬到巴黎，在1858年与Otto Bobergh合作开设服装店Worth and Bobergh之前，他曾担任推销员和裁缝。他们很快就得到了皇室的认可，并取得了重大成功。1870年，沃斯成为该公司的唯一所有者。在他的店里，沃斯制作了完整的作品，然后用现场模特向客户展示。然后，客户可以根据自己的规格订购他们最喜欢的产品。这种方法是高级定制的起源。沃斯设计的礼服是一件艺术作品，通过精心挑选的纺织品和装饰完美地展现了色彩和纹理。他在每件衣服上使用的纺织品数量之多证明了他对纺织业的尊重和支持。沃斯的创作成果在他的一生中一直保持着其水准和知名度。这项业务在他的儿子、孙子和曾孙的指导下持续了二十世纪上半叶。
介绍（英）	Worth was credited with creating the princess line in about 1873. This shape was due to seaming from the neck, over the bust and into the skirt without interruption, as with many of the designs before it. This dress has a sense of grandeur about it in its historical reference exemplified by the sleeves and metal lace bolero evoking styles of the Medicis. Charles Frederick Worth was born in England and spent his young adulthood working for textile merchants in London while researching art history at museums. In 1845 he moved to Paris and worked as a salesman and a dressmaker before partnering with Otto Bobergh to open the dressmaking shop, Worth and Bobergh, in 1858. They were soon recognized by royalty and major success followed. In 1870 Worth became the sole proprietor of the business. At his shop, Worth fashioned completed creations which he then showed to clients on live models. Clients could then order their favorites according to their own specifications. This method is the origin of haute couture. Worth designed gowns which were works of art that implemented a perfect play of colors and textures created by meticulously chosen textiles and trims. The sheer volume of the textiles he employed on each dress is testimony to his respect and support of the textile industry. Worth's creative output maintained its standard and popularity throughout his life. The business continued under the direction of his sons, grandsons and great-grandsons through the first half of the twentieth century.