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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)可用的衣服
品名(英)Habit à la disposition
入馆年号2009年,2009.300.2932
策展部门服装研究所Costume Institute
创作者
创作年份公元 1760 - 公元 1775
创作地区
分类
尺寸
介绍(中)18世纪和19世纪的外衣和背心在一段时尚时期起到了保护和装饰的作用,当时外衣的正面是敞开的。这种颜色通常被选择来补充西装,并覆盖着富有想象力的刺绣、厚重的编织图案或闪亮的缎面,以吸引眼球。颈部、长度和下摆处理的风格随着品味的变化而变化,从18世纪初的大号大衣到18世纪末及以后的窄紧身大衣

这种罕见的扁平纺织品记录了贵重男士刺绣背心的生产方式。刺绣是在织物上进行的,形状为右前、左胸、左口袋和纽扣,然后将织物裁剪成衣服。由于18世纪织机宽度有限,窄织物的经济使用导致左口袋通常与左胸板分开刺绣。最终的结果是,当用一个朴素的背部缝合在一起时,就形成了一件引人注目的背心,这件背心经常与18世纪的时尚男人联系在一起。
介绍(英)Waistcoats and vests of the 18th and 19th centuries served as a layer protection and ornamentation during a period in fashion when the coat was intended to be left open in the front. The color was often chosen to complement the suit and covered in imaginative embroideries, heavily woven patterns or shiny satins made to draw the eye. The style of the neck, the length and the hem treatment fluctuated as the tastes changed from over-sized coats of the early 18th century to narrow tightly fitted coats of the late 18th century and onward.

This rare flat textile documents the manner in which valuable men's embroidered waistcoats were produced. The embroidery was worked on the textile in the shape of the right front, left chest, left pocket and buttons, before the fabric was cut and fashioned into a garment. Due to the limited loom width of the 18th century, the economical use of the narrow textiles resulted in the left pocket commonly being embroidered apart from the left chest panel. The end result, when sewn together with a plain back, was an eye-catching waistcoat which is so often associated with the fashionable 18th-century man.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。