晚礼服 - 美国大都会艺术博物馆展品查阅

品名（中）	晚礼服
品名（英）	Evening dress
入馆年号	2009年，2009.300.2978a, b
策展部门	服装研究所（Costume Institute）
创作者
创作年份	公元 1818 - 公元 1822
创作地区
分类
尺寸
介绍（中）	蓬松是一种罕见的完全手工完成的复杂特征，展示了这一时期的典型装饰位置，肩部和下摆细节。唯一幸存的长袖表明，这件连衣裙可以搭配或不搭配袖子，以适应场合和天气帝国的轮廓很容易被识别为起源于古希腊罗马人的奇顿，这是一种从肩膀上披下来的管状服装，有时系在半身像下面。在整个服装史上，曾发生过几次重新诠释，但没有一次像18世纪的长方形帕尼尔裙和19世纪的圆锥形环裙那样引人注目。法国大革命后，新古典主义风格被采用在所有形式的装饰中，并在拿破仑战争期间得到支持，部分原因是拿破仑·波拿巴（1769-1821）与希腊罗马原则的联盟。在时尚界，这种风格始于由优质白色棉制成的童装，但被女性采用的形式是管状连衣裙，裙子聚集在胸部下方，背部垫上有一些丰满感。随着风格的发展，裙子的前部开始变平，仅从中后部的紧身胸衣开始聚集。这种风格一直延续到19世纪20年代，当时腰部慢慢降低，裙子变得更像钟形。
介绍（英）	The puffing is a rare intricate feature executed completely by hand and shows the typical decoration locations of this period, with shoulder and hem details. The one surviving long sleeve indicates the dress could be worn with or without sleeves to suit the occasion and the weather. The Empire silhouette is readily identified with its origins in the chiton of ancient Greco-Romans, which was a tubular garment draped from the shoulders and sometimes belted beneath the bust. Several re-interpretations have occurred throughout costume history but none have been as notable as the period bridging the rectangular panierred skirts of the 18th century and the conical hoop skirts of the 19th century. The neoclassic style was adopted in all forms of decoration after the French Revolution and was upheld during the Napoleonic Wars partly due to Napoleon Bonaparte's (1769-1821) alliance with Greco-Roman principles. In fashion, the style began as children's wear made from fine white cotton, but was adopted by women in the form of a tubular dress with skirts that were gathered under the bust with some fullness over a pad at the back. As the style progressed the skirts began to flatten at the front and solely gather from the bodice at the center back. The style persisted until the 1820s when the waist slowly lowered and the skirts became more bell shaped.