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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)路易丝扶手椅(女王扶手椅)-帕尔马伊丽莎白
品名(英)Armchair (Fauteuil à la reine) for Louise-Élisabeth of Parma
入馆年号1907年,07.225.57
策展部门欧洲雕塑和装饰艺术European Sculpture and Decorative Arts
创作者Nicolas-Quinibert Foliot【1706 至 1776】
创作年份公元 1744 - 公元 1754
创作地区
分类木工家具(Woodwork-Furniture)
尺寸整体: 43 1/2 × 31 1/2 × 27 1/2 英寸 (110.5 × 80 × 69.8 厘米)
介绍(中)法国政治家勒内-路易·德·沃耶·德·保尔米(1694 – 1757),阿根松侯爵,在1749年观察到帕尔马的宫殿失去了一切;它没有一根家具,甚至没有楼梯。他预测,需要很多时间来弥补这些缺点。[1]难怪路易十五的长女路易丝-伊丽莎白和她的丈夫西班牙的唐·菲利普被授予帕尔马公国,拒绝在空壳中定居。她去了她父亲在凡尔赛宫的宫廷,在那里她委托为她的新家制作家具。路易丝-伊丽莎白(Louise-Elisabeth 1727 – 1759 年)于 10 月带着 34 辆马车的购买和礼物返回意大利北部。这把扶手椅很可能是她当时带回来的东西之一。

这把椅子是巴黎制造的一大套座椅家具的一部分,但在帕尔马组装、镀金和软垫,被认为是尼古拉斯-奎尼伯特·福略特(Nicolas-Quinibert Foliot)的作品,可能是在建筑师和设计师皮埃尔·康坦特·德伊夫里(Pierre Contant d'Ivry)的设计之后执行的。Foliots是活跃在十八世纪中叶巴黎的一个重要椅子制造商家族,受雇于Garde-Meuble de la Couronne,这是为法国宫廷提供家具的皇家办公室。

一位不知名的雕塑家执行了高浮雕雕刻,包括洛可可、贝壳、翅膀图案、C 卷轴和花卉花环。这种装饰在椅子的侧栏杆上高度不对称,因此表达了纯粹的洛可可风格。椅子采用软垫,配有插入式座椅和可拆卸的靠背和扶手垫,其下方钉有原始的深红色天鹅绒,以适应室内装潢的季节性变化。金色饰边的扇形边缘与椅子框架的蜿蜒轮廓相呼应。博物馆的路易丝-伊丽莎白的女儿帕尔马的玛丽亚·路易莎(1751 – 1819),后来的西班牙女王(26.260.9)的全身肖像中展示了属于同一组扶手椅的扶手椅。

脚注

1.1749 年 3 月 30 日的日记条目,载于 Argenson 1857 – 58,第 3 卷,第 252 页
介绍(英)The French statesman René-Louis de Voyer de Paulmy (1694 – 1757 ), marquis d’Argenson, observed in 1749 that the palace at Parma was bereft of everything; it had not a stick of furniture nor even a staircase. He predicted that much time would be needed to remedy these shortcomings. [1] No wonder, then, that the previous year Louise-Élisabeth, the eldest and favorite daughter of Louis XV, who with her husband, Don Philip of Spain, had been awarded the duchy of Parma, declined to settle in the empty shell. She traveled to her father’s court at Versailles instead, where she commissioned furnishings for her new home. Louise-Élisabeth (1727 – 1759) returned to northern Italy in October with thirty-four wagonloads of purchases and gifts. It is quite possible that this armchair was among the things she brought back at that time.

Part of a large set of seat furniture made in Paris but assembled, gilded, and upholstered in Parma, this chair has been attributed to Nicolas-Quinibert Foliot and was possibly executed after a design by the architect and designer Pierre Contant d’Ivry. The Foliots were an important family of chairmakers active in mideighteenth-century Paris and employed by the Garde-Meuble de la Couronne, the royal office that supplied furniture to the French court.

An unknown sculptor executed the high-relief carving, consisting of rocailles, shells, wing motifs, C-scrolls, and floral garlands. This decoration is highly asymmetrical on the chair’s side rails and is thus an expression of the pure Rococo style. The chair is upholstered à châssis, with a drop-in seat and removable back and arm pads, to which the original crimson velvet is tacked underneath, accommodating a seasonal change of upholstery. The scalloped edge of the gold trim echoes the serpentine outline of the chair’s frame. An armchair belonging to the same set is shown in the Museum’s full-length portrait of Louise-Élisabeth’s daughter Maria Luisa of Parma (1751 – 1819), later queen of Spain (26.260.9).

Footnotes

1. Journal entry for March 30, 1749, in Argenson 1857 – 58, vol. 3, p. 252
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。