音乐曼特尔钟（带音乐盒的钟摆） - 美国大都会艺术博物馆展品查阅

品名（中）	音乐曼特尔钟（带音乐盒的钟摆）
品名（英）	Musical mantel clock (Pendule avec boîte à musique)
入馆年号	1958年，58.75.60
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者	Jean Baptiste Martre【1734 至 1834】
创作年份	公元 1765 - 公元 1775
创作地区
分类	钟表业（Horology）
尺寸	高 30-1/8 x 宽 23-3/8 x 深 10-1/2 英寸 (76.5 x 59.4 x 26.7 厘米)
介绍（中）	无论是功能性的还是高度装饰性的镀金青铜底座，还是诸如壁灯、消防栓和钟表等青铜制品，都在法国18世纪的室内设计中发挥了重要作用。负责设计的艺术家、设计师和雕塑家密切关注最新的风格变化 18世纪的法国钟表制造商充分利用了在巴黎和其他地区蓬勃发展的奢侈品行业，他们共同创造机芯，为国内钟表提供各种材质的精美表壳。钟壳和音乐盒由卷轴和叶状树枝组成，而一个袋管装饰着音乐盒的前部。这只钟的表盘和背板上签着MARTRE A BORDEAUX，一位鲜为人知的钟表匠。1734年，让-巴蒂斯特·马特尔出生于波尔多，一直活跃到1785年。我们也没有关于两次签署洛可可风格案件的青铜铸造师杜蒙特的任何信息。Dumont与其他钟表制造商的机芯也有类似的钟表盒。在钟壳和音乐盒上都发现了百合花的标记，但没有记录，但可能表明是皇室的起源音乐盒中的音乐乐章由一组钢钟组成，钢钟被旋转的鼓槌敲击。一根释放音乐动作的杆从钟上穿过盒子顶部的树干很可能是因为钟被放在一个大镜子前面的壁炉架上，所以在镜子的倒影中可以看到背面华丽而复杂的镂空设计，让人联想到蕾丝。
介绍（英）	Both functional and highly decorative, gilt-bronze mounts and bronzes d’ameublement such as wall-lights, firedogs and clocks, played an important role in the French eighteenth-century interior. The artists, designers and sculptors responsible for their designs closely followed the latest stylistic changes. Eighteenth-century French clockmakers took full advance of the luxury trades that flourished in Paris and beyond as they worked together to create movements to provide domestic clocks with splendid cases in various materials. The clock case and music box consist of scrolls and foliated branches, while a bag pipe decorates the front of the music box. The dial and back plate of this clock are signed MARTRE A BORDEAUX, a clockmaker about whom little is known. A Jean Baptiste Martre was born in Bordeaux in 1734 and remained active until 1785. Neither do we have any information about the bronze caster Dumont who signed the rococo-style case twice. Similar clock cases exist by Dumont with movements by other clockmakers. The fleur-de-lys mark found both on the clock case and the music box is unrecorded but may indicate a royal provenance. The musical movement in the music box is composed of a set of steel bells struck by hammers tripped by a revolving drum. A rod which releases the musical movement passes from the clock through the tree trunk on top of the box. It is likely that the clock would have been placed on a mantelpiece in front of a large mirror so that the ornate and intricate openwork design of the back, reminiscent of lace, would have been visible in the mirror’s reflection.