两位歌剧演员 - 美国大都会艺术博物馆展品查阅

品名（中）	两位歌剧演员
品名（英）	Two Opera Singers
入馆年号	1964年，64.101.56
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者	Meissen Manufactory【1710 至现在】【德国人】
创作年份	公元 1749 - 公元 1750
创作地区
分类	陶瓷-瓷器（Ceramics-Porcelain）
尺寸	整体 (confirmed): 9 1/2 x 11 3/8 x 6 7/8 英寸 (24.1 x 28.9 x 17.5 厘米)
介绍（中）	这个人物组代表两个正在进行二重唱的歌剧歌手。他们作为歌手的身份不仅反映在他们精心制作的服装上，也反映在他们戏剧性的手势上。这组作品被解释为描绘了庞帕杜夫人和罗翰王子表演的阿西斯和加拉太的二重唱，这一事件发生在1749年的凡尔赛剧院。[1]然而，随后在五年前的1744年3月Meissen建模师Kändler的工作手册中识别出了与该模型相对应的一个组，这表明这种解释是不可能的。[2] Kändler的词条指的是这位男歌手的罗马服装（Römischen Habit），很明显，他的服装和羽毛头盔旨在将他视为一个古典的英雄形象。他的宽扇形裙被称为tonnelet，男歌手和芭蕾舞演员经常穿描绘歌手的瓷器人物的流行反映了歌剧在德累斯顿宫廷的崇高地位。1718-19年，奥古斯都大帝统治期间，在茨温格宫旁建造了一座由宫廷建筑设计师Matthäus Daniel Pöppelmann设计的新歌剧院，其内部于1738年和1747年进行了改建。选择歌剧演唱者——无论是特定的还是一般的，如这一群体——在相对较新且价值较高的瓷器媒介中表现[3]，表明了德累斯顿宫廷文化这一方面的重要性 [1]Yvonne Hackenbroch，《欧文Untermyer收藏中的迈森和其他大陆瓷器、陶器和珐琅》（剑桥，马萨诸塞州，1956年），第35页 [2]Ingelore Menzhausen，在Porzellan verzaubert的"Die Figuren Johann Joachim Kändlers In Meissen aus der Sammlung Pauls0Eisenbeis Basel"（巴塞尔，1993年），第117页。 [3]1708年在欧洲德累斯顿发现了真瓷或硬浆瓷的配方，这导致了1710年迈森工厂的成立。
介绍（英）	This figure group represents two opera singers engaged in a duet. Their identities as singers are reflected as much by their theatrical gestures as by their elaborate costumes. The group has been interpreted as depicting a duet from Acis and Galatea as performed by Madame de Pompadour and the prince de Rohan, an event known to have taken place in the theater of Versailles in 1749.[1] However, subsequent identification of a group corresponding to this model in the workbook of the Meissen modeler Kändler dating from March 1744 – five years earlier – indicates the impossibility of this interpretation.[2] Kändler's entry refers to the male singer's Roman outfit (Römischen Habit), and it is clear that his costume and plumed helmet were intended to identify him as a classical and hence heroic figure. His wide scalloped skirt was known as a tonnelet and was frequently worn by male singers and ballet dancers. The popularity of porcelain figures depicting singers reflects high status of opera at the Dresden court. A new opera house designed by the court architext Matthäus Daniel Pöppelmann had been built next to the Zwinger Palace in 1718–19, during the reign of Augustus the Strong, and its interior was remodeled in 1738 and again in 1747. The choice of opera singers – either specific or generic, as in this group – for representing in the relatively new and highly valued medium of porcelain[3] indicates the importance ascribed to this aspect of Dresden court culture. [1] Yvonne Hackenbroch, Meissen and Other Continental Porcelain, Faience and Enamel in the Irwin Untermyer Collection (Cambridge, mass., 1956), p. 35 [2] Ingelore Menzhausen, In Porzellan verzaubert" Die Figuren Johann Joachim Kändlers in Meissen aus der Sammlung Pauls0Eisenbeiss Basel (Basel, 1993), p. 117. [3] The formula for true or hard-paste porcelain was discovered in Europe in Dresden in 1708, which led to the founding of the Meissen factory in 1710.