安东尼奥·卡诺瓦肖像（1757–1822） - 美国大都会艺术博物馆展品查阅

品名（中）	安东尼奥·卡诺瓦肖像（1757–1822）
品名（英）	Portrait of Antonio Canova (1757–1822)
入馆年号	1967年，67.219.2
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者	Francesco Putinati【1770 至 1848】【意大利人】
创作年份	公元 1817 - 公元 1827
创作地区
分类	奖章和牌匾（Medals and Plaquettes）
尺寸	Diameter: 1 5/16 英寸 (3.3 厘米)
介绍（中）	安东尼奥·卡诺瓦（1757-1822）被认为是18世纪末和19世纪初最伟大的新古典主义雕塑家。与画家雅克·路易·戴维一起，他被誉为开创了一种新的美学，即以古典古物为灵感的清晰、规则的形式和平静的休息。他还以雕刻能力和大理石表面的精致而闻名，大理石表面看起来像真人一样柔软在他去世时，在罗马、威尼斯和波萨诺举行了纪念活动，欧洲各地都对他表示哀悼和尊敬。他的名声程度可以通过尸体的处理来衡量，就好像它是圣物一样。尽管他的尸体被埋葬在波萨诺的Tempio，但他的手被保存在威尼斯的Belle Arti学院，他的心脏被放置在新古典主义雕塑家根据他自己在圣玛利亚·格洛里奥萨·迪弗拉里的设计建造的坟墓中（另见67.219.1）。
介绍（英）	Antonio Canova (1757–1822) is considered the greatest Neoclassical sculptor of the late eighteenth and early nineteenth centuries. Along with the painter Jacques Louis David, he was credited with ushering in a new aesthetic of clear, regularized form and calm repose inspired by classical antiquities. He was also renowned for his carving abilities and the refinement of his marble surfaces, which seemed as supple as real flesh. At his death, commemorations were held in Rome, Venice, and Possagno, and he was widely mourned and honored across Europe. The degree of his fame can be measured by the treatment of his corpse, as if it were a saintly relic. Although his body was entombed in the Tempio in Possagno, his hand was preserved at the Accademia di Belle Arti, Venice, and his heart placed in a tomb built by Neoclassical sculptors based on his own design in Santa Maria Gloriosa dei Frari (see also 67.219.1).