丘比特和普赛克的婚礼 - 美国大都会艺术博物馆展品查阅

品名（中）	丘比特和普赛克的婚礼
品名（英）	The Wedding Feast of Cupid and Psyche
入馆年号	1984年，1984.195
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者	Pierre Reymond【1513 至 1590】
创作年份	公元 1558
创作地区
分类	搪瓷（Enamels）
尺寸	19 3/4 × 15 1/4 × 1 3/4 英寸 (50.2 × 38.7 × 4.4 厘米)
介绍（中）	珐琅是一种将通常含有颜料的玻璃状物质与金属融合以产生光泽表面的技术。早在十二世纪，利摩日就成为珐琅中心，当时艺术在修道院作坊中蓬勃发展。在十五世纪后期，这个位于法国中部的城市成为世俗和教会珐琅制品的中心，学校在整个十六世纪蓬勃发展。在十六世纪利摩日实践的最著名和最多产的珐琅画家之一是皮埃尔·雷蒙德（1513 年 - 1584 年后），这道菜的作者。雷蒙德对媒介的掌握体现在丰富的音调范围、人物的准确建模以及生活感和动作感上。受限制的调色板，其中白色，黑色和红色组合成丰富多样的灰色调 - 因此得名格里赛尔绘画 - 通过金色的装饰使用而活跃起来。这道菜的唇部以其丰富的植物装饰而著称，从中出现了不同的人物。这道菜反映了雷蒙德作为艺术家的自豪感，突出地展示了他的姓名首字母和 1558 年的日期。文艺复兴时期的人文主义者将丘比特和普赛克的婚礼（卢修斯·阿普莱乌斯（Lucius Apuleius，生于公元约124年）的《金屁股》中的主题）解释为欲望和灵魂的结合。
介绍（英）	Enameling is a technique whereby a vitreous substance, often containing pigment, is fused with metal to produce a glossy surface. Limoges became a center for enameling as early as the twelfth century, when the art flourished in monastic workshops. In the late fifteenth century, this city in central France emerged as a center of secular as well as ecclesiastical enamelwork, and the school flourished throughout the sixteenth century. Among the most famous and prolific of the enamel painters practicing in sixteenth-century Limoges was Pierre Reymond (1513–after 1584), the author of this dish. Reymond's mastery of his medium is evident in the rich tonal range, the accurate modeling of his figures, and the sense of life and action. The restricted palette, in which white, black, and red are combined into rich, varied gray tones—hence the name grisaille painting—is enlivened by the decorative use of gold. The lip of the dish is remarkable for its rich vegetal decoration from which varied figures emerge. Reflecting Reymond's pride as an artist, the dish prominently displays his initials and the date 1558. Renaissance humanists interpreted the wedding of Cupid and Psyche, a subject drawn from The Golden Ass by Lucius Apuleius (born ca. 124 A.D.), as the union of desire and soul.