椅背和椅套 - 美国大都会艺术博物馆展品查阅

品名（中）	椅背和椅套
品名（英）	Chair back and seat cover
入馆年号	1928年，28.28.1
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者	Séguin et Cie
创作年份	公元 1811
创作地区
分类	机织纺织品（Textiles-Woven）
尺寸	长 48 x 宽 21 3/4 英寸 (121.9 x 55.2 厘米)
介绍（中）	Mobilier National是Colbert的皇家Garde-Meuble de la Couronne的继承者，至今一直负责法国国家住宅的装饰。在十七和十八世纪，Garde-Meuble监督从里昂订购纺织品，作为支持法国工业和减少从意大利和其他地方进口竞争性纺织品的总体计划的一部分。里昂丝绸制造商，统称为Grande Fabrique，由这些委员会维持，并响应严格的监管法令，为他们生产的面料带来了无与伦比的美丽和质量。1792 年后，Garde-Meuble 的所有工作在里昂停止，直到 1802 年 1 月拿破仑和约瑟芬参观了圣克莱尔码头的工厂。很快就开始了装饰由Garde-Meuble翻新的宫殿的委员会，拿破仑重组并指定为Mobilier Impérial。这种织物由让-皮埃尔·塞冈为凡尔赛宫拿破仑一世公寓的第四家小沙龙设计，直到圣克劳德昂古莱姆公爵夫人复辟时期才使用。粗丝（gros de Tours），其设计基于马尔迈松的墙布。它明亮的黄色地面被樱桃花结和中央奖章内的锦缎丁香和海葵束点缀。淡紫色和海葵图案分别覆盖了椅背和座椅。
介绍（英）	The Mobilier National, successor to Colbert's royal Garde-Meuble de la Couronne, has been responsible for the decoration of state residences in France to the present day. During the seventeenth and eighteenth centuries, the Garde-Meuble oversaw the ordering of textiles from Lyon as part of a general plan to support French industry and decrease competitive textile imports from Italy and elsewhere. Lyon silk manufacturers, known collectively as the Grande Fabrique, were sustained by these commissions and, in response to strict regulatory edicts, brought an unsurpassed degree of beauty and quality to the fabrics they produced. After 1792, all work for the Garde-Meuble ceased in Lyon until January 1802, when Napoleon and Josephine toured the factories on the Quai Saint-Clair. Commissions were soon underway to decorate the palaces being refurbished by the Garde-Meuble, which Napoleon reorganized and designated the Mobilier Impérial. Designed by Jean-Pierre Séguin for the fourth petit salon of the apartment of Napoleon I at Versailles, this fabric was not used until the period of the Restoration by the duchesse d'Angoulême at Saint-Cloud. A gros de Tours (heavy silk), its design is based upon a wall fabric at Malmaison. Its bright yellow ground is punctuated by cerise rosettes and bunches of brocaded lilacs and anemones within central medallions. The lilac and anemone patterns covered chair backs and seats respectively.