防盗门 - 美国大都会艺术博物馆展品查阅

品名（中）	防盗门
品名（英）	Burgonet
入馆年号	1914年，14.25.602
策展部门	武器和盔甲（Arms and Armor）
创作者
创作年份	公元 1525 - 公元 1575
创作地区	原产国: 意大利, 米兰（Country of Origin: Italy, Milan）
分类	头盔（Helmets）
尺寸	高 10 1/8 英寸 (25.7 厘米); 高 of comb 2 1/16 英寸 (5.3 厘米); 宽 8 3/16 英寸 (20.8 厘米); 深 13 1/4 英寸 (33.7 厘米); 重 3 磅 5 盎司 (1502 g)
介绍（中）	文艺复兴时期人们对古典世界兴趣的复兴对盔甲的出现产生了深远的影响。受罗马例子的启发，意大利王子和职业士兵穿的盔甲all'antica（古董风格）是对古代英雄和光荣军事遗产的怀念。虽然古典风格的盔甲在15世纪就已经为人所知，但直到1530年左右，军械师才开始用压花钢制作。在将装饰提升到高浮雕的过程中，钢板被加工得太薄，没有保护价值。因此，浮雕盔甲起到了纯粹的仪式作用，让军械师可以自由地将其打造成奇妙的、往往是异想天开的形式。米兰的菲利波·内格罗利（约1510–1579）似乎是这种风格的主要创新者，同时代人认为他的作品是雕塑杰作。内格罗利工作室包括菲利波的兄弟弗朗切斯科，他是镶嵌（将金银镶嵌到铁或钢中）的专家，以及他的堂兄乔万·保罗。他们的赞助人包括这一时期的主要鉴赏家，尤其是神圣罗马帝国皇帝查理五世、法国国王弗朗西斯一世和亨利二世，以及曼图阿和乌尔比诺公爵。
介绍（英）	The revival of interest in the Classical world during the Renaissance had a profound effect on the appearance of armor. Inspired by Roman examples, armor all’antica (in the antique style) was worn by Italian princes and condottieri (professional soldiers) as an evocation of ancient heroes and of a glorious military heritage. Although armor in Classical fashion was known in the fifteenth century, it was not until about 1530 that armorers began to make it in embossed steel. In raising the decoration to high relief, the steel plates were worked too thin to be of protective value. As a result, embossed armor served a purely ceremonial role, leaving the armorer free to fashion it into fantastic, often whimsical forms. Filippo Negroli of Milan (about 1510–1579) seems to have been the principal innovator of this style, and contemporaries judged his works to be masterpieces of sculpture. The Negroli workshop included Filippo’s brother Francesco, a specialist in damascening (the inlaying of gold and silver into iron or steel), and a cousin, Giovan Paolo. Among their patrons were the leading connoisseurs of the period, notably Holy Roman Emperor Charles V, kings Francis I and Henry II of France, and the dukes of Mantua and Urbino.