茶壶（中国茶壶） - 美国大都会艺术博物馆展品查阅

品名（中）	茶壶（中国茶壶）
品名（英）	Teapot (Théière chinoise)
入馆年号	2007年，2007.408a, b
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者	Sèvres Manufactory【1740 至现在】【法国人】
创作年份	公元 1832 - 公元 1834
创作地区
分类	陶瓷-瓷器（Ceramics-Porcelain）
尺寸	整体 (confirmed): 7 1/4 x 5 1/16 英寸 (18.4 x 12.9 厘米)
介绍（中）	这款茶壶是 19 世纪上半叶塞夫尔制表厂最引人注目的原创作品之一，当时该工厂的生产以不断创新和追求新颖为标志。装饰反映了中国风的持续流行，中国风是一个用来描述欧洲人对想象和异国情调的亚洲的迷恋的术语。在十八世纪，中国风口味的物品通常装饰着欧洲人所设想的亚洲生活的幻想描绘。相比之下，这款茶壶采用并重新诠释了被认为是亚洲起源的图案。手柄的荷叶，顶部雕刻的象牙握把，突出的蝴蝶，甚至黄色的地面颜色都是对中国装饰艺术的参考，但这些元素的渲染和组合方式完全是欧洲的。塞夫尔档案记录说，茶壶是作为个人物品制作的，而不是作为服务的一部分制作的，它被卖给了法国女王玛丽-阿梅莉，后者于 1837 年 8 月拥有它。
介绍（英）	This teapot is one of the more striking and original creations of the Sèvres manufactory from the first half of the nineteenth century, when the factory’s production was marked by constant innovation and a striving for novelty. The decoration reflects the ongoing popularity of chinoiserie, a term used to describe the European fascination with an imagined and exotic Asia. In the eighteenth century objects in the chinoiserie taste were usually decorated with fanciful depictions of life in Asia as Europeans envisioned it. In contrast, this teapot employs and reinterprets motifs perceived to be Asian in origin. The lotus leaves of the handle, the carved ivory grip at the top, the prominent butterfly, and even the yellow ground color are references to Chinese decorative arts, but the manner in which these elements are rendered and combined is entirely European. The Sèvres archives record that the teapot was made as an individual object rather than as part of a service and that is was sold to the queen of France, Marie-Amélie, who took possession of it in August 1837.