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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)匕首(卡塔尔)
品名(英)Dagger (Katar)
入馆年号1936年,36.25.949
策展部门武器和盔甲Arms and Armor
创作者
创作年份公元 1601 - 公元 1800
创作地区原产国: (Country of Origin: )
分类匕首(Daggers)
尺寸长 17 3/4 英寸 (45.1 厘米); 宽 3 5/16 英寸 (8.4 厘米); 重 1 磅 4.6 盎司 (584 g)
介绍(中)卡塔尔是印度匕首的一种独特形式,其中握把垂直于刀片。它用右手作为独立武器挥舞,或用左手与圆形盾牌一起使用。两个狭窄的直立法兰,通常带有精美的装饰,保护手和手腕的侧面。在这些法兰的有限范围内,这个卡塔尔的装饰描绘了印度教万神殿最广阔的区域之一:毗湿奴的十个化身(化身)。

毗湿奴作为宇宙救世主是匈都教的trimūrti(至高三位一体神)的一个元素,其中还包括梵天作为创造者和湿婆作为破坏者。为了维持人类或击败巨大的邪恶,毗湿奴定期以物理形式或化身在地球上显现。毗湿奴化身的数量随着时间的推移而发展,但其中一个更广泛接受的群体包括这个卡塔尔所代表的十个化身。在这里,化身以两排垂直显示,每个直立护手上显示五个,按照据说它们在地球上出现的顺序。从上到下分别是:1.马西亚(鱼),2.库尔马(),3。瓦拉哈(野猪),4岁。纳拉辛哈(狮子),5岁。瓦马纳(侏儒),6岁。帕拉舒拉玛(拿着斧头的拉玛),7。拉马钱德拉(或巴拉拉玛,克里希纳的兄弟),8岁。克里希纳,9岁。佛陀,和10。卡尔金(马或骑兵),尚未到来。

前四个具有动物属性的化身可能代表土著民间神灵通过与毗湿奴的联系而早期融入印度教。同样,佛陀作为第九个化身的加入,代表了对佛教兴起的回应,佛教与印度教在印度共存了一千多年。第十个化身卡尔金(Kalkin)预计将在当今时代的末期带着火和剑而来,那时文明将达到最低点。毗湿奴将以这种伪装清除地球上的邪恶,并为新的开始铺平道路。
介绍(英)The katar is a unique form of Indian dagger, in which the grip is perpendicular to the blade. it was wielded in the right hand, as an independent weapon, or in the left hand, in conjunction with a round shield. Two narrow upright flanges, often bearing fine ornamentation, protect the sides of the hand and wrist. Within the limited confines of these flanges the decoration of this katar depicts one of the most expansive areas of the Hindu pantheon: the ten incarnations (avatāras) of Vishnu.

Vishnu as the universal savior is one element of Hunduism's trimūrti (supreme triune deity), which also encompasses Brahmā as the creator and Shiva as the destroyer. In order to sustain mankind or defeat a great evil, Vishnu periodically manifested himself on earth in physical form, or avatar. The number of Vishnu's avatars has evolved over time, but one of the more widely accepted groups comprises the ten avatars represented on this katar. Here the avatars are displayed in two vertical rows, with five shown on each of the upright handguards, in the order in which they are said to have appeared on earth through the ages. From top to bottom they are: 1. Matsya (the Fish), 2. Kūrma (the Tortoise), 3. Varāha (the Boar), 4. Narasimha (the Lion), 5. Vāmana (the Dwarf), 6. Parashurāma (Rāma with the ax), 7. Rāmachandra (or Balarāma, brother of Krishna), 8. Krishna, 9. Buddha, and 10. Kalkin (the Horse or Mounted Warrior), who is yet to come.

The first four avatars, with animal attributes, may represent the early incorporation of indegenous folk deities into the Hindu religion through their association with Vishnu. Similarly, the inclusion of Buddha, as the ninth avatar, represents a response to the rise of Buddhism, which coexisted with Hinduism in India for over a thousand years. The tenth avatar, Kalkin, is expected to come with fire and sword at the end of the present age, when civilization will have reached its nadir. Vishnu, in this guise, will purge the earth of evil and prepare the way for a new beginning.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。