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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)费迪南德·德·美第奇大公的Ax手枪组合(1549–1609)
品名(英)Combination Ax-Pistol of Grand Duke Ferdinand I de' Medici (1549–1609)
入馆年号2002年,2002.174a, b
策展部门武器和盔甲Arms and Armor
创作者
创作年份公元 1555 - 公元 1605
创作地区原产国: 德国(Country of Origin: Germany)
分类组合武器(Combination Weapons)
尺寸长 27 3/4 英寸 (70 厘米)
介绍(中)16世纪初,轮锁的发明建立了一个相当可靠的、尽管复杂而昂贵的枪支点火系统,这导致了用于战争和狩猎的手枪和长臂的快速发展。到本世纪中叶,一种新的武器发展起来,将轮式锁手枪与传统的剑、匕首、斧头或狼牙棒相结合。这似乎意味着武器拥有者基本上没有安全感,这表明如果他的射击没有命中,他可以依靠武器的第二个功能作为后备。然而,在现实中,这类组合武器作为精心制作的机械珍品吸引了富有的贵族,它们在王子的军械库和文艺复兴时期的昆斯特-und Wunderkammern中随处可见

这把斧头手枪,像大多数记录在案的例子一样,是德国制造的,采用传统的全钢结构,斧头的中空轴用作手枪枪管,锁(现代替代品)连接在外侧;轴上穿有一个接触孔,并装有一个触发器。握把由两端的模具构成,末端是一个由两个铰链半体组成的中空鞍部,可能用作黄铁矿、填充物、子弹甚至辅助工具的储藏室。轴的前端装有一个S形斧刃,其后面有一个弯曲的尖刺或锚爪;枪管开口用一个栏杆状的塞子封闭,在手枪发射前将其取下。斧头、杆身和鞍部下半部分的表面在变黑的地面上蚀刻有带状交织物和卷轴,由镀金的树叶区域突出显示,这是奥格斯堡和纽伦堡采用的南德意志风格。斧头的每一面中央都刻着一个卡通图案,在外侧(锁)覆盖着美第奇的手臂,上面覆盖着一顶带射线的王冠(图5),而内侧则覆盖着一个带头盔的战士的侧面头像

美第奇武器的出现表明这种武器是在1569年12月之后制造的,当时科西莫一世·德·美第奇(1519–1574,1537年统治)从佛罗伦萨公爵晋升为托斯卡纳大公,并采用了射线式的新冠。武器的主人似乎不是科西莫本人,而是他的次子红衣主教斐迪南(1549-1609),他从1587年开始统治。斧头手枪最早记录在美第奇档案中是在1589年,当时它存放在斐迪南位于佛罗伦萨皮蒂宫的私人军械库中。在那里,它被清楚地描述了出来,包括现在很普通的握把,上面覆盖着黑色天鹅绒和黑色丝绸和金色的流苏。整个武器都存放在一个黑色皮革的箱子里,箱子里有黑色天鹅绒绳索和黑色丝绸和金色的流苏。
介绍(英)The invention of the wheel lock in the early sixteenth century established a fairly reliable, if complex and expensive, firearms ignition system that engendered the rapid development of pistols and long arms for both warfare and the hunt. By the middle of the century a new genre of weapon developed, combining a wheel-lock pistol and a conventional sword, dagger, ax, or mace. This would seem to imply a basic insecurity on the part of the owner, suggesting that if his shot missed he could rely on the weapon's second function as a backup. In reality, however, combination weapons of this sort appealed to the wealthy nobleman as elaborate mechanical curiosities, and they are found in abundance in the princely armories and Renaissance Kunst- und Wunderkammern.

This ax-pistol, like most recorded examples, is of German manufacture and follows conventional all-steel construction in which the hollow shaft of the ax serves as the pistol barrel, with the lock (modern replacement) attached to the outer side; the shaft is pierced with a touchhole and fitted with a trigger. The grip, which is framed by a molding at either end, terminates in a hollow pommel formed of two hinged halves that probably served as a storage compartment for pyrites, wadding, bullets, or even ancillary tools. The forward end of the shaft is fitted with an S-shaped ax blade and a curved spike or fluke behind it; the barrel opening is closed with a baluster-shaped plug that would be removed before the pistol was fired. The surfaces of the ax, shaft, and bottom half of the pommel are etched with strapwork interlace and scrollwork on a blackened ground, highlighted by areas of gilt foliage, in the South German style employed in Augsburg and Nuremberg. Each face of the ax is etched in the center with a cartouche, that on the outer (lock) side encloses the Medici arms surmounted by a rayed crown (fig. 5), while that on the inner side encloses the profile head of a helmeted warrior.

The presence of the Medici arms indicates that this weapon was made after December 1569, when Cosimo I de' Medici (1519–1574, ruled from 1537) was elevated from duke of Florence to grand duke of Tuscany, and a new crown of rayed type was adopted. The owner of the weapon appears not to have been Cosimo himself but his second son, Cardinal Ferdinand (1549–1609), who ruled from 1587. The ax-pistol is first recorded in the Medici archives in 1589, when it was in Ferdinand's private armory (armeria secreta) in his residence at the Palazzo Pitti, Florence. There it was clearly described, including the grip, which is now plain, as having been covered in black velvet with fringe of black silk and gold. The entire weapon was stored in a case of black leather furnished with black velvet cords and tassels of black silk and gold.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。