阿佛洛狄忒青铜雕像 - 美国大都会艺术博物馆展品查阅

品名（中）	阿佛洛狄忒青铜雕像
品名（英）	Bronze statuette of Aphrodite
入馆年号	1935年，35.122
策展部门	希腊和罗马艺术（Greek and Roman Art）
创作者
创作年份	公元前 125 - 公元前 1
创作地区
分类	青铜器（Bronzes）
尺寸	高: 18 英寸 (45.7 厘米)
介绍（中）	眼睛上镶嵌着玻璃膏。从膝盖以下的左腿被修复直到公元前四世纪中期，雕塑家普拉西特勒斯创作了著名的《克尼多斯的阿佛洛狄忒》，希腊人才在大型雕像中以裸体形象描绘阿佛洛狄特女神。裸体阿佛洛狄特在各种类型和媒体上的表现在希腊化晚期变得广泛。这尊小雕像是阿佛洛狄忒Anadyomene（绑发）类型的变体。这个姿势的灵感可能来自于一幅具有权威地位的作品，该作品相当于亚历山大大帝的宫廷画家Apelles的著名画作《克尼多斯的阿佛洛狄忒》。这里举例说明的变体在这种尺寸和介质中显然很受欢迎，因为有几个例子是已知的通过参考其他此类复制品，可以得出结论，该人物的左前臂以类似于右前臂的方式抬起。她可能是在整理头发的过程中出现的，甚至可能是抓住头发上的圆角伤口的末端将其打结。然而，由于她手中的属性不见了，各种重建都是可能的。也有人认为女神是用珠宝装饰自己。
介绍（英）	The eyes are inlaid with glass paste. The proper left leg from the knee down is restored The Greeks did not represent the goddess Aphrodite as nude in large-scale statues until the middle of the fourth century B.C., when the sculptor Praxiteles created the famous Aphrodite of Knidos. Representations of the nude Aphrodite in a variety of types and media became widespread by the Late Hellenistic period. This statuette is a variant of the Aphrodite Anadyomene (hair-binding) type. The pose may have been inspired by a work that had a canonical status equivalent to the Aphrodite of Knidos, a famous painting of Aphrodite Anadyomene by Apelles, court painter of Alexander the Great. The variant exemplified here was clearly popular in this size and medium, since several examples are known. By referencing other copies of this type, one can conclude that the figure's left forearm was raised in a similar manner similar to the right one. She is probably shown in the act of arranging her hair and may even be grasping the ends of the fillet wound about her hair to tie it off. However, since the attribute she held in her hands is missing, various reconstructions are possible. It has also been suggested that the goddess is represented as adorning herself with jewelry.