城市Tonsor - 美国大都会艺术博物馆展品查阅

品名（中）	城市Tonsor
品名（英）	The City Tonsor
入馆年号	2011年，2011.88(5)
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Matthew Darly【1720 至 1780】【英国人】
创作年份	公元 1771
创作地区	发布于: 伦敦（Published in: London）
分类	印刷品（Prints）
尺寸	plate: 6 x 4 3/16 英寸 (15.3 x 10.6 厘米) 页: 8 13/16 x 5 7/16 英寸 (22.4 x 13.8 厘米)
介绍（中）	这个为伦敦顾客送假发的理发师来自马修和玛丽达利于 1771 年出版的一套二十四幅漫画。作为一对夫妻团队，达利夫妇开发了一种新的英国印刷类型——在朴素的背景下对单个人物进行小型蚀刻漫画，通过着装、姿势和一些道具来表明他们的身份。其中许多作品嘲笑了当代伦敦花花公子的时尚举止，称为"通心粉"，达利的商品很快就被称为通心粉印花，无论其主题如何。隐含的意大利联系实际上是恰当的，因为基本形式受到Ghezzi的漫画画的启发，这些漫画画是由大游客从罗马带回来的。达利夫妇改编的形式和主题激发了英国人的口味，并扩大了盖齐作品的范围，包括一系列社会阶层、知名人物和类型。
介绍（英）	This tonsor, or barber delivering wigs to London customers, comes from a set of twenty-four caricatures that Matthew and Mary Darly published in 1771. A husband-and-wife team, the Darlys developed a new British print genre--small etched caricatures of single figures against plain backgrounds, their identities indicated through dress, pose and a few props. Many of these works mocked the fashionable manners of contemporary London dandies called "macaronis," and the Darly's wares soon became known as macaroni prints no matter what their subjects. The implied Italian connection was in fact appropriate, since the basic form was inspired by Ghezzi's caricature drawings brought back from Rome by Grand Tourists. The form and subjects adapted by the Darlys tickled British tastes and broadened the scope of Ghezzi's works to include a range of social classes, known figures, and types.