亨利·泰勒。《菲利普·范·阿特韦尔德》的作者 - 美国大都会艺术博物馆展品查阅

品名（中）	亨利·泰勒。《菲利普·范·阿特韦尔德》的作者
品名（英）	Henry Taylor. Author of "Philip Van Artevelde"
入馆年号	1941年，41.21.23
策展部门	摄影（Photographs）
创作者	Julia Margaret Cameron【1815 至 1879】【英国人，出生于印度】
创作年份	公元 1864
创作地区
分类	照片（Photographs）
尺寸
介绍（中）	卡梅伦的照片并没有得到普遍的赞赏，尤其是同行摄影师。《摄影杂志》回顾了她在1864年苏格兰摄影学会（PhotographicSociety of Scotland）展览上提交的作品，其中包括两幅泰勒的肖像，并以一种让她愤怒的傲慢态度报道：。卡梅隆展示了她的一系列名人肖像。我们必须赞扬这位女士大胆的独创性，但牺牲了所有其他摄影品质。一个真正的艺术家会在他可能从事的任何艺术分支中运用他所掌握的所有资源。在这些照片中，摄影的所有优点都被忽略了，艺术的缺点也被突出地展示了出来。我们很抱歉不得不如此严厉地批评一位女士的作品，但我们觉得为了艺术的利益，我们不得不这样做。卡梅伦驳斥了对摄影机构的谴责，后来写道，如果"我不重视这种批评的价值"，反而沉浸在艺术家和朋友的积极评价中，这会让她沮丧。
介绍（英）	Cameron’s photographs were not universally admired—especially by fellow photographers. Reviewing her submissions to the 1864 exhibition of the Photographic Society of Scotland, which included two portraits of Taylor, the Photographic Journal reported with a condescension that infuriated her: Mrs. Cameron exhibits her series of out-of-focus portraits of celebrities. We must give this lady credit for daring originality, but at the expense of all other photographic qualities. A true artist would employ all the resources at his disposal, in whatever branch of art he might practise. In these pictures all that is good in photography has been neglected, and the shortcomings of the art are prominently exhibited. We are sorry to have to speak thus severely on the works of a lady, but we feel compelled to do so in the interest of the art. Cameron dismissed the condemnation of the photographic establishment, writing later that it would have dispirited her “had I not valued that criticism at its worth,” basking instead in the positive judgment of artists and friends.