查尔斯·波德莱尔 - 美国大都会艺术博物馆展品查阅

品名（中）	查尔斯·波德莱尔
品名（英）	Charles Baudelaire
入馆年号	1964年，64.677.4
策展部门	摄影（Photographs）
创作者	Etienne Carjat【1828 至 1906】【法国人】
创作年份	公元 1861 - 公元 1865
创作地区
分类	照片（Photographs）
尺寸	图像: 9 1/8 × 7 1/8 英寸 (23.1 × 18.1 厘米) Mount: 12 13/16 英寸 × 9 5/16 英寸 (32.5 × 23.7 厘米)
介绍（中）	尽管法国著名诗人波德莱尔（Baudelaire）著名地宣称摄影是"每一位未来画家的避难所，每一位天赋太差或懒得完成学业的画家的避难所"，但他在镜头前摆了好几次姿势。这幅由Carjat创作的沉思诗人的引人注目的肖像也许是最著名的，因为它发表在广泛发行的系列丛书《当代艺术画廊》（Galerie contemporaine，littéraire，arterique）中当代画廊是摄影出版的一个高峰。该系列由Goupil公司于1876年至1884年发行，共有241幅来自艺术、文学、音乐、科学和政治领域的主要人物肖像，由众多巴黎摄影师拍摄。这些插图被印刷成木版印刷，这是一种复制摄影连续色调的照相机械过程，但使用了打印机的墨水。木版印刷的速度和经济性，以及它们的持久性（不同于传统的容易褪色的摄影工艺），使其成为书籍出版或其他需要大规模生产的情况下的蛋白银印刷品的高度实用的替代品。
介绍（英）	Although the great French poet Baudelaire famously declared photography to be "the refuge of every would-be painter, every painter too ill-endowed or too lazy to complete his studies," he posed before the camera several times. This striking portrait of the brooding poet by Carjat is perhaps the best known, for it was published in the widely distributed series entitled Galerie contemporaine, littéraire, artistique. The Galerie contemporaine is a high point in photographic publishing. Issued in parts from 1876 to 1884 by the firm of Goupil, the series contained 241 portraits of leading figures from the worlds of art, literature, music, science, and politics by a host of Parisian photographers. The illustrations were printed as woodburytypes-a photomechanical process that reproduced the continuous tones of photography but did so with printer's ink. The speed and economy with which woodburytypes could be printed, as well as their permanence (unlike traditional photographic processes that were subject to fading), made them a highly practical substitute for albumen silver prints in book publication or other situations where mass production was desirable.