索尔兹伯里大教堂-海军部，从南耳堂 - 美国大都会艺术博物馆展品查阅

品名（中）	索尔兹伯里大教堂-海军部，从南耳堂
品名（英）	Salisbury Cathedral - The Nave, from the South Transept
入馆年号	1999年，2005.100.9
策展部门	摄影（Photographs）
创作者	Roger Fenton【1819 至 1819】【英国人】
创作年份	公元 1858
创作地区
分类	照片（Photographs）
尺寸	30.2 x 31.1 厘米 (11 7/8 x 12 1/4 英寸 )
介绍（中）	哥特式大教堂的黑暗内饰对早期摄影师提出了特别的挑战。通过让百叶窗打开可能长达几个小时，芬顿实现了技术上的巡回演出，使大教堂的崇高法令清晰易读，同时记录了哥特式空间特有的半黑暗的细微差别。位于威尔特郡的索尔兹伯里大教堂（Salisbury Cathedral）从南侧的耳堂向西北方向看。从 1220 年到 1256 年，它建于短短的 36 年，因其设计的统一性和和谐性而在英国大教堂中脱颖而出。然而，内部通常被认为缺乏温暖，这是原始彩色玻璃窗的丢失以及詹姆斯怀亚特在 1788-89 年进行彻底修复的结果，其中屏幕和教堂被拆除，葬礼纪念碑重新排列整齐的行。具有讽刺意味的是，这些不幸的变化很可能促成了芬顿在照片上的成功。没有彩色玻璃，光线更多，带入内部的秩序暴露了其基本线条。
介绍（英）	The dark interiors of Gothic cathedrals posed a particular challenge to early photographers. By leaving the shutter open perhaps as long as several hours, Fenton achieved the technical tour de force of making clearly legible the cathedral's lofty ordinance while at the same time registering the nuances of semidarkness peculiar to the Gothic space. Salisbury Cathedral, in Wiltshire, is seen here from the south transept looking northwest. Built over the unusually short period of only thirty-six years, from 1220 to 1256, it stands out among the English cathedrals for the uniformity and harmony of its design. The interior, however, is generally thought to lack warmth, the result of the loss of the original stained-glass windows and of the radical restoration carried out by James Wyatt in 1788-89, in which screens and chapels were removed and funerary monuments rearranged in tidy rows. Ironically, these unfortunate changes may well have contributed to Fenton's success with the photograph. The absence of stained glass made for more light, and the order brought to the interior exposed its essential lines.