《罗马克莱门特书信集》残卷的摄影传真。由亚历山大法典中保存的独特副本制成。 - 美国大都会艺术博物馆展品查阅

品名（中）	《罗马克莱门特书信集》残卷的摄影传真。由亚历山大法典中保存的独特副本制成。
品名（英）	Photographic Facsimiles of the Remains of the Epistles of Clement of Rome. Made from the Unique Copy Preserved in the Codex Alexandrinus.
入馆年号	2009年，2009.18 (1–22)
策展部门	摄影（Photographs）
创作者	Roger Fenton【1819 至 1819】【英国人】
创作年份	公元 1856
创作地区
分类	书（Books）
尺寸	图像s: 34.3 x 29.8 厘米 (13 1/2 x 11 3/4 英寸)
介绍（中）	1853年，芬顿被聘为第一位正式的"大英博物馆摄影师"。用他自己的话来说，他渴望"与摄影艺术如此有用的应用联系在一起"，他制作了数千张照片，帮助博物馆对其不断增长的藏品进行编目、分类和宣传这张专辑是克莱门汀书信的翻版，这是一封可追溯到第一世纪和第二世纪的信件和布道，献给第四任教皇、罗马早期主教圣克莱门特。除了《新约》之外，《书信集》是现存最古老的基督教文献之一。这本相册的一个吸引人的方面是视觉难题，它源于所描绘的东西和描绘本身——手稿页的表面和照片的表面——的融合。手稿的字体与底片上的铭文、印刷品上的符号共享空间，偶尔还有芬顿助手按住手稿页面的手指。
介绍（英）	In 1853 Fenton was hired as the first official "Photographer to the British Museum." Eager, in his own words, "to be connected with so useful an application of the photographic art," he made thousands of photographs that helped the museum catalogue, classify, and publicize its growing collection. This album is a facsimile of the Clementine Epistles, a letter and a sermon dating from the first and second centuries, ascribed to Saint Clement, the fourth Pope and an early Bishop of Rome. The Epistles are among the oldest extant Christian documents aside from the New Testament itself. An appealing aspect of this album is the visual conundrum that arises from the conflation of what is depicted and the depiction itself-the surface of the manuscript page and the surface of the photograph. The lettering of the manuscript shares space with inscriptions in the negative, notations on the print, and, occasionally, the fingers of Fenton's assistant holding down the manuscript page.