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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)梅斯头
品名(英)Mace Head
入馆年号1979年,1979.206.1212
策展部门迈克尔·洛克菲勒之翼The Michael C. Rockefeller Wing
创作者
创作年份公元前 100 - 公元 1
创作地区秘鲁(Peru)
分类石头工具(Stone-Implements)
尺寸高 3 11/16 × 宽 3 × 深 3 英寸 (9.4 × 7.6 × 7.6 厘米)
介绍(中)这个精心制作的狼牙棒头有四个扇形突起,每个突起由两个结节或尖刺状元件隔开。两条垂直的内接线从每个凸缘向下延伸到狼牙棒头部的底部。这块石头有一个中空的中心核心,最初用来固定一根木轴。在底部,一个轻微的唇缘围绕圆周延伸。红色朱砂的痕迹保留在突出表面之间的凹槽中。凸缘和凸块的结合产生了一种强大而致命的效果。突起的窄边缘提供的接触点比简单的圆形石头撞击时施加的力大得多,类似于被细高跟鞋踩到比被更宽的鞋跟踩到更痛苦的方式

这种类型的石狼牙棒头的文化归属尚不清楚。早在公元前一千年中期,Chavín和Cupisnique文化的工匠就在安第斯山脉中部制作了雕刻的石狼牙棒头。秘鲁北部高地Kuntur Wasi的一处墓葬中出土了一个雕刻的狼牙棒头(Fux,2013:310,编号105)。从公元前200年至公元100年统治秘鲁北部沿海地区的萨利纳文化墓葬中挖掘出了风格上与现在的狼牙棒头相似的物体(Burger,1998;Strong和Evans,1952:55-56,第三页)

这一时期的石器制作过程尚不清楚,但其形状可能是通过最初用石器将岩石凿碎,然后进行精细的精制,包括用细石英砂作为研磨剂抛光狼牙棒头部。边缘上的许多碎片可能是在战斗中撞击其他石头的结果,因为石头不太可能因与骨头或肉接触而断裂

参考文献和进一步阅读

Burger,Richard L.,《梅斯黑德》,载于《敦巴顿橡树的安第斯艺术》,第1卷,由伊丽莎白·H·布恩编辑(华盛顿特区:敦巴顿橡树研究图书馆和收藏,1996年),第9页,第84-86页

Fux,Peter编辑,Chavín:秘鲁安第斯山脉的神秘神庙(苏黎世:Scheidegger&;Spiess,2013)

Strong,William D.和Clifford Evans,Jr.,《秘鲁北部维鲁河谷的文化地层学》。《形成和繁荣的时代》(纽约:哥伦比亚大学出版社,1952年)。
介绍(英)This gracefully crafted mace head has four fan-like projections, each separated by two nub or spike-like elements. Two vertical inscribed lines extend down from each flange to the bottom of the mace head. The stone has a hollow central core that originally held a wooden shaft. At the bottom a slight lip extends around the circumference. Traces of red cinnabar remain in the recesses between the projecting surfaces. The combination of flanges and nubs yields an object of power and deadly effectiveness. The narrow edges of the projections provide points of contact that would have exerted much more force than when struck than a simple round stone, similar to the way in which being stepped upon by a stiletto heel is much more painful than being stepped upon by a wider heel.

The proper cultural attribution of stone mace heads of this type is unclear. Carved stone mace heads were made as early as the middle of the first millennium B.C. in the Central Andes, by artisans of the Chavín and Cupisnique cultures. A sculpted mace head was excavated from a burial at Kuntur Wasi in the northern highlands of Peru (Fux, 2013:310, cat. no. 105). Objects stylistically similar to the present mace head have been excavated from burials of the Salinar culture, which dominated Peru’s northern coastal region from 200 B.C.–A.D. 100 (Burger, 1998; Strong and Evans, 1952:55–56, pl. IIIE).

The process by which stone objects were crafted in this period is not known, but the shape was probably accomplished by initially chipping the rock with stone tools, followed delicate refinements including polishing the mace head with fine quartz sand as an abrasive. The numerous chips on the edges may be the result of striking other stones during battle, as it is unlikely that stone would be fractured by contact with bone or flesh.

References and further reading

Burger, Richard L., “Mace Head,” in Andean Art at Dumbarton Oaks, Vol. 1, edited by Elizabeth H. Boone (Washington, DC: Dumbarton Oaks Research Library and Collection, 1996), pl. 9, pp. 84–86.

Fux, Peter, ed., Chavín: Peru’s Enigmatic Temple in the Andes (Zurich: Scheidegger & Spiess, 2013).

Strong, William D., and Clifford Evans, Jr., Cultural Stratigraphy in the Virú Valley Northern Peru. The Formative and Florescent Epochs (New York: Columbia University Press, 1952).
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。