工作台图 - 美国大都会艺术博物馆展品查阅

品名（中）	工作台图
品名（英）	Bench Figure
入馆年号	1991年，1991.436.7a, b
策展部门	迈克尔·洛克菲勒之翼（The Michael C. Rockefeller Wing）
创作者
创作年份	公元前 100 - 公元 400
创作地区	哥伦比亚或厄瓜多尔（Colombia or Ecuador）
分类	陶瓷雕塑（Ceramics-Sculpture）
尺寸	高 9 × 宽 5 × 深 4 1/2 英寸 (22.9 × 12.7 × 11.4 厘米)
介绍（中）	从公元前3000年开始，厄瓜多尔人的雕像传统一直延续到16世纪西班牙征服。公元前一千年最著名的地区风格的雕像——Tolita/Tumaco、Jama Coaque、Bahiá和Guangala——在早期和分布更广泛的Chorrera风格的基础上有相似之处。雕像具有不同程度的真实感和雕塑造型，平均高度约为7至12英寸。然而，一些Tolita/Tumaco的例子可以高达三英尺一个身材魁梧的裸体男性坐在长椅上，摆出正面对称的姿势，双手放在膝盖上，头直立。他面无表情地直视前方，鼻子和耳朵上戴着简单的金戒指。红色颜料残留在人物的大部分表面。长椅是单独制作的，表明了人物的级别和权威。这些人物可能是在特殊场合穿的。
介绍（英）	From the third millennium B.C. onward, Ecuadoran people had a figurine tradition that would last until the Spanish conquest in the sixteenth century. The figurines of the best-known regional styles of the first millennium A.D.—Tolita/Tumaco, Jama Coaque, Bahiá, and Guangala–share similarities based on the earlier and more widely distributed Chorrera style. Various degrees of realism and sculptural modeling appear in the figurines, which have an average height of about seven to twelve inches. Some Tolita/Tumaco examples, however, can be as tall as three feet. A nude, heavily built male figure sits on a bench in frontal, perfectly symmetrical pose, with hands on knees and head held upright. His expressionless face gazes straight forward and simple gold rings are in the nose and ears. Red pigment remains on much of the figure's surface. The bench, made separately, is indicative of the figure's rank and authority. Such figures may have been dressed for special occasions.