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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)梅斯头
品名(英)Mace Head
入馆年号2003年,2003.468
策展部门迈克尔·洛克菲勒之翼The Michael C. Rockefeller Wing
创作者
创作年份公元前 275 - 公元 125
创作地区秘鲁(Peru)
分类石头工具(Stone-Implements)
尺寸高 3 × 宽 5 × 深 5 英寸 (7.6 × 12.7 × 12.7 厘米)
介绍(中)这种带有对角长笛的雕刻石制狼牙棒头像是古代秘鲁最早文化中幸存下来的最优雅的武器之一。嘴唇下方优雅、雕刻精美的漩涡脊赋予了这种武器一种流畅的特性,掩盖了它的目的:粉碎或分裂对手的骨头。这些脊增强了武器的有效性,因为当使用时,所有的力量都集中在狼牙棒头部的狭窄边缘,而不是分布在更广阔的表面积上,类似于被细高跟鞋踩到比被更宽的脚跟踩到更痛苦的方式。

这种类型的石狼牙棒头颅的适当文化归属尚不清楚。雕刻的石制狼牙棒头像早在公元前一千年中期就在安第斯山脉中部由查文和库比斯克文化的工匠制作。在秘鲁北部高地的Kuntur Wasi墓葬中出土了一个雕刻的狼牙棒头(Fux,2013:310,第105号)。从萨利纳尔文化的墓葬中挖掘出与现在的狼牙棒头相似的物品,萨利纳尔文化在公元前 200 年至公元 100 年间主导秘鲁北部沿海地区(Burger,1998 年;斯特朗和埃文斯,1952:55-56,PL. IIIE)。

这一时期石器的制作过程尚不清楚,但形状可能是通过最初用石器切割岩石来完成的,然后进行了精细的改进,包括用细石英砂作为磨料抛光狼牙棒头。边缘的大量碎屑可能是在战斗中撞击其他石头的结果,因为石头不太可能因与骨头或肉接触而断裂。

参考文献和进一步阅读

Burger, Richard L., "Mace Head," in Andean Art at Dumbarton Oaks, Vol. 1, Elizabeth H. Boone编辑 (Washington, DC: Dumbarton Oaks Research Library and Collection, 1996), pp. 9, pp. 84–86.

Fux, Peter, ed., Chavín: Peru's Enigmatic Temple in the Andes (Zurich: Scheidegger & Spiess, 2013)。

斯特朗,威廉D.和克利福德埃文斯,小,秘鲁北部维鲁河谷的文化地层学。The Formative and Florescent Epochs (New York: Columbia University Press, 1952)。
介绍(英)This carved stone mace head with diagonal flutes is among the most graceful weapons to survive from ancient Peru’s earliest cultures. The elegant, finely carved swirling ridges below the lip give a fluid character to this weapon that belies its purpose: to crush or splinter opponents’ bones. These ridges enhance the weapon’s effectiveness, as, when used, all of the force is concentrated at the narrow edges of the mace head rather than spread out over a broader surface area, similar to the way in which being stepped upon by a stiletto heel is much more painful than being stepped upon by a wider heel.

The proper cultural attribution of stone mace heads of this type is unclear. Carved stone mace heads were made as early as the middle of the first millennium B.C. in the Central Andes, by artisans of the Chavín and Cupisnique cultures. A sculpted mace head was excavated from a burial at Kuntur Wasi in the northern highlands of Peru (Fux, 2013:310, cat. no. 105). Objects stylistically similar to the present mace head have been excavated from burials of the Salinar culture, which dominated Peru’s northern coastal region from 200 B.C.–A.D. 100 (Burger, 1998; Strong and Evans, 1952:55–56, pl. IIIE).

The process by which stone objects were crafted in this period is not known, but the shape was probably accomplished by initially chipping the rock with stone tools, followed delicate refinements including polishing the mace head with fine quartz sand as an abrasive. The numerous chips on the edges may be the result of striking other stones during battle, as it is unlikely that stone would be fractured by contact with bone or flesh.

References and further reading

Burger, Richard L., “Mace Head,” in Andean Art at Dumbarton Oaks, Vol. 1, edited by Elizabeth H. Boone (Washington, DC: Dumbarton Oaks Research Library and Collection, 1996), pl. 9, pp. 84–86.

Fux, Peter, ed., Chavín: Peru’s Enigmatic Temple in the Andes (Zurich: Scheidegger & Spiess, 2013).

Strong, William D., and Clifford Evans, Jr., Cultural Stratigraphy in the Virú Valley Northern Peru. The Formative and Florescent Epochs (New York: Columbia University Press, 1952).
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。