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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)风暴神船
品名(英)Storm God Vessel
入馆年号2012年,2012.530.1
策展部门迈克尔·洛克菲勒之翼The Michael C. Rockefeller Wing
创作者
创作年份公元 200 - 公元 700
创作地区墨西哥(Mexico)
分类石头容器(Stone-Containers)
尺寸高 6 3/8 × 宽 4 1/8 × 深 4 3/8 英寸 (16.19 × 10.48 × 11.11 厘米)
介绍(中)这种饮用或解放器皿完全由滑石或皂石雕刻而成。艺术家在描绘特奥蒂瓦坎风暴之神时投入了大量劳动,突出的尖牙嘴和圆形眼睛识别出它。神的头位于容器的颈部,其特征是突出的上唇和四个尖牙,牙齿下方有一个钻孔。显示神灵蹲在船上;他的腿和凉鞋脚显示在船体的侧面。他的左手抓着一捆飞镖,而他的右手拿着一个可能是投掷飞镖的长矛投掷器。在特奥蒂瓦坎发现了许多类似的船只,最近一次是在羽蛇金字塔下的隧道挖掘中。在特潘蒂特拉大院的壁画中还描绘了风暴神本人拿着其中两个容器的描绘。

在古代中美洲,雨神和风暴之神经常被描绘成武器,象征着他们挥舞破坏性闪电和雷声的力量。特奥蒂瓦坎的风暴之神经常被描绘成闪电、水意象、农业肥沃、山脉、特定颜色以及由主要方向和中心点形成的尘世五重奏。风暴之神与其他古代中美洲社会一样,与统治和军事权力有着密切的联系。

进一步阅读

Berrin,Kathleen和Esther Pasztory。特奥蒂瓦坎:来自众神之城的艺术。旧金山美术博物馆,1993年。

卡瓦略,大卫M.雕像容器,宗教融合和墨西哥中部万神殿的起源。古代中美洲 第18卷,第1期,第53-67页,2007年。

卡瓦略、大卫·M.、肯尼斯·G·赫斯和芭芭拉·阿罗约。特奥蒂瓦坎:城市之外的世界。敦巴顿橡树园,2020年。

Coe,Michael D.和Emile Deletaille。重新发现中美洲的杰作:墨西哥 - 危地马拉 - 洪都拉斯。法国布洛涅,1985年,第121页,第159页。

考吉尔,特奥蒂瓦坎的乔治L.州和社会。《人类学年度评论》,第26卷,第129-161页,1997年。

海德里克,安娜贝丝。特奥蒂瓦坎三位一体:古代中美洲城市的社会政治结构。德克萨斯大学出版社, 2007.

Manzanilla,Linda R.以墨西哥中部特奥蒂瓦坎为案例研究的多民族企业社会中的合作和紧张局势。美国国家科学院院刊,第112卷,第30期,第9210-9215页,2015年。

村上达也。纠缠不清的政治策略:特奥蒂瓦坎的统治、官僚主义和中层精英。在Sarah Kurnick和Joanne Baron编辑,前哥伦布时期中美洲的政治战略,第153-179页。科罗拉多大学出版社,2016年。

Nielson, Jesper, and Chrisophe Helmke, The Storm God: Lord of Rain and Ravage, in Teotihuacan: City of Water, City of Fire, Matthew Robb, ed., pp. 138-143.伯克利: 加州大学出版社, 2017.

帕什托里,埃丝特。特奥蒂瓦坎:生活的实验。俄克拉荷马大学出版社,1997年。

鲁伊斯·加卢特、玛丽亚·埃琳娜和赫苏斯·托雷斯·佩拉尔塔编辑。 《特奥蒂瓦坎的艺术与城市主义:特奥蒂瓦坎的梅萨·雷东达·德·特奥蒂瓦坎的回忆》。墨西哥城,国家人类学和历史研究所,2005年。

萨罗、帕特里夏·J.和马修·H·罗布。穿过中心:特奥蒂瓦坎绘画的建筑和社会背景。在Cynthia Kristan-Graham和Laura M. Amrhein编辑,记忆痕迹:分析五个中美洲遗址的神圣空间,第21-43页。科罗拉多大学出版社,2015年。

杉山三郎。活人祭祀、军国主义和统治:特奥蒂瓦坎羽蛇金字塔国家意识形态的物化。剑桥大学出版社,2005年。

陶贝、卡尔·羽蛇神庙和特奥蒂瓦坎的神圣战争崇拜。RES:《人类学与美学》,第21期,第53-87页,1992年春季。
介绍(英)This drinking or libation vessel is carved entirely from steatite, or soapstone. The artist invested a considerable amount of labor in this depiction of what is likely the Teotihuacan Storm God, recognized by the prominent fanged mouth and circular eyes. The head of the god lies on the neck of the vessel and is marked by a prominent upper lip with four fangs, accentuated by a drilled hole beneath the teeth. The deity is shown squatting on the vessel; his legs and sandaled feet are shown on the side of the vessel's body. His left hand grasps a bundle of darts, while his right holds what is likely a spear thrower with which he could hurl the darts. Many similar vessels have been found at Teotihuacan, most recently in the tunnel excavations under the Feathered Serpent Pyramid. There is also a depiction of the Storm God himself holding two of these vessels in the murals of the Tepantitla compound.

In ancient Mesoamerica, gods of rain and storms were often depicted with weapons, symbolizing their power to wield damaging lighting and thunder. The Storm God at Teotihuacan is often depicted with lightning, watery imagery, agricultural fertility, mountains, specific colors, and the earthly quincunx formed by the cardinal directions and a central point. The Storm God, as in other ancient Mesoamerican societies, had close associations with rulership and martial power.

Further reading

Berrin, Kathleen, and Esther Pasztory. Teotihuacan: Art from the City of the Gods. The Fine Arts Museums of San Francisco, 1993.

Carballo, David M. Effigy Vessels, Religious Integration, and the Origins of the Central Mexican Pantheon. Ancient Mesoamerica Vol. 18, No. 1, pp. 53-67, 2007.

Carballo, David M., Kenneth G. Hirth, and Barbara Arroyo. Teotihuacan: The World Beyond the City. Dumbarton Oaks, 2020.

Coe, Michael D., and Emile Deletaille. Rediscovered Masterpieces of Mesoamerica: Mexico-Guatemala-Honduras. Boulogne, France, 1985, p. 121, pl. 159.

Cowgill, George L. State and Society at Teotihuacan. Annual Review of Anthropology, Vol. 26, pp. 129-161, 1997.

Headrick, Annabeth. The Teotihuacan Trinity: The Sociopolitical Structure of an Ancient Mesoamerican City. University of Texas Press, 2007.

Manzanilla, Linda R. Cooperation and tensions in multiethnic corporate societies using Teotihuacan, Central Mexico, as a case study. Proceedings of the National Academy of Sciences of the United States of America Vol. 112, No. 30, pp. 9210-9215, 2015.

Murakami, Tatsuya. Entangled Political Strategies: Rulership, Bureaucracy, and Intermediate Elites at Teotihuacan. In Sarah Kurnick and Joanne Baron, eds., Political Strategies in Pre-Columbian Mesoamerica, pp. 153-179. University Press of Colorado, 2016.

Nielson, Jesper, and Chrisophe Helmke, The Storm God: Lord of Rain and Ravage, in Teotihuacan: City of Water, City of Fire, Matthew Robb, ed., pp. 138-143. Berkeley: University of California Press, 2017.

Pasztory, Esther. Teotihuacan: An Experiment in Living. University of Oklahoma Press, 1997.

Ruiz Gallut, María Elena, and Jesús Torres Peralta, eds. Arquitectura y urbanismo: pasado y presente de los espacios en Teotihuacan: Memoria de la Tercera Mesa Redonda de Teotihuacan. Mexico City, Instituto Nacional de Antropología e Historia, 2005.

Sarro, Patricia J., and Matthew H. Robb. Passing through the Center: The Architectural and Social Contexts of Teotihuacan Painting. In Cynthia Kristan-Graham and Laura M. Amrhein, eds., Memory Traces: Analyzing Sacred Space at Five Mesoamerican Sites, pp. 21-43. University Press of Colorado, 2015.

Sugiyama, Saburo. Human Sacrifice, Militarism, and Rulership: Materialization of State Ideology at the Feathered Serpent Pyramid, Teotihuacan. Cambridge University Press, 2005.

Taube, Karl A. The Temple of Quetzalcoatl and the Cult of Sacred War at Teotihuacan. RES: Anthropology and Aesthetics, No. 21, pp. 53-87, Spring, 1992.
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