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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)葬礼救济
品名(英)Funerary relief
入馆年号1901年,01.25.2
策展部门古代近东艺术Ancient Near Eastern Art
创作者
创作年份公元 150 - 公元 200
创作地区来自于: (From: )
分类
尺寸21 3/4 x 17 x 10 9/16 英寸 (55.2 x 43.2 x 26.8 厘米)
介绍(中)铭文:
祖拜达1,
2大亚奈之子,3男之子

4 唉!

音译:
1 兹比德
2 迪尼 3
毫升
4 哈布尔 这种浮雕

是公元前三个世纪繁荣的商队城市巴尔米拉的一种葬礼纪念碑,带有死者代表和简短识别铭文的浮雕被用来密封精心装饰的公共坟墓中的墓龛; 那些半长或半身像格式的人在公元 65 年后的某个时候变得流行。

这里展示的是一个留着胡子的男人的上半身,在固定在枝叶树枝上的背侧(垂布)的背景下,高浮雕直接面向观众;右侧可能类似于剩下的一半,现在不见了。在他头的左侧,铭文给出了他的名字以及他父亲和祖父的名字,最后表达了巴尔米拉葬礼浮雕上常见的悲伤。他穿着一件袖子衣服,穿在斗篷或斗篷下,在胸围底部可以看到水平褶皱,包裹着身体。右手的袖口有一条普通的条纹边框,而左手腕则被一束束的褶皱覆盖。这些服装的褶皱是规则的和图案状的,没有现实的重量感和体积感。同样,他的手是简单的块状形式,没有关节或骨骼结构。他左手拿着一个小东西,可能是书卷,小指上戴着戒指。他的上眼睑轮廓清晰,每只大眼睛的虹膜和瞳孔都表示为同心切口圆圈。眉毛,显示为弯曲的切割线,在鼻梁处的垂直沟壑中相遇,鼻子下方已被折断。遥远的、没有人情味的凝视远远超出了观众的范围。该男子的头发被描绘成一团波浪形的头发,落到他的脖子后面,而他的胡须则由单独的蜗牛形头发组成。铭文上仍然可以看到红色油漆的痕迹,将背侧固定在树枝上的玫瑰花结以及左手上的戒指。由于人物的胡须,这种浮雕在风格上可以追溯到公元 150-200 年左右。眼睛的处理仍然雕刻着早期帕尔米林浮雕上的同心圆,表明日期接近公元150年。
介绍(英)Inscription:
1 Zubaida, son of
2 Dayyanay, son of
3 Male.
4 Alas!

Transliteration:
1 zbydʾ br
2 dyny br
3 mlʾ
4 ḥbl

This relief is a type of funerary monument characteristic of the prosperous caravan city of Palmyra during the first three centuries A.D. Reliefs with a representation of the deceased and a short identifying inscription were used to seal burial niches in elaborately decorated communal tombs; those with a half-length or bust format became prevalent sometime after A.D. 65.

Shown here is the upper body of a bearded man, facing directly toward the viewer in high relief against the background of a dorsalium (draped cloth) secured to a leafy branch; the right side, which probably resembled the remaining half, is now missing. To the left of his head, an inscription gives his name and his father and grandfather’s names, ending with an expression of sorrow common on funerary reliefs at Palmyra. He is dressed in a sleeved garment worn under a himation, or cloak, whose horizontal folds are visible at the bottom of the bust where it wraps around the body. The cuff of the right hand is marked by a plain striped border, while the left wrist is covered by the bunched folds of the himation. The folds of these garments are regular and pattern-like, without a realistic sense of weight and volume. Likewise, his hands are simple blocky forms, without articulated joints or bone structure. He holds a small object, probably a schedula (book roll), in his left hand, and wears a ring on the little finger. His upper eyelids are carefully outlined, and the iris and pupil of each large eye is indicated as concentric incised circles. The eyebrows, shown as curving, incised lines, meet in vertical furrows at the bridge of the nose, below which the nose has been broken off. The distant, impersonal gaze is directed far beyond the viewer. The man’s hair is depicted as a mass of wavy locks, which fall to the back of his neck, while his beard is made up of separate snail-shaped locks. Traces of red paint are still visible on the inscription, the rosette fastening the dorsalium to the branch, and the ring on his left hand. This relief can be stylistically dated to around 150-200 A.D. because of the figure’s beard. The treatment of the eyes, which are still carved with the concentric circles found on earlier Palmyrene reliefs, suggests a date close to 150 A.D.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。