站立的人 - 美国大都会艺术博物馆展品查阅

品名（中）	站立的人
品名（英）	Standing man
入馆年号	1951年，51.72.1
策展部门	古代近东艺术（Ancient Near Eastern Art）
创作者
创作年份	公元 100 - 公元 200
创作地区
分类
尺寸	高 30 1/4 × 宽 15 3/4 × 深 4 1/2 英寸 (76.8 × 40 × 11.4 厘米)
介绍（中）	这幅站立男子的零碎石像浮雕是帕提亚艺术中东方美学复兴的产物。它所体现的风格以严格的正面性和对线性细节的关注为特征，尤其是对纺织品的精心演绎。图中的人物雕刻得极低，右手向前举起手掌以示崇敬，可以将其视为崇拜者。表面雕刻的线条，而不是体积造型，传达了他的衣服、胡子和宽阔的方形胡须的品质。他突出的眼睛是平的，轮廓上有脊；鼻子也是平的。他的头发呈一层层浓密的螺旋状。礼拜者穿着一件带腰带的束腰外衣，上面装饰着一排含片，每个含片都有一个圆圈；他的衣服前面有一条螺旋状的辫子，其他人则修剪袖口。他的腰带下夹着两件物品，左手拿着一个物体。在他的右臀部，描绘了另一个物体，可能是一把剑。与此类似的崇拜者的还愿图像装饰在圣地建筑群的露台上，比如位于伊朗胡齐斯坦省的Bard-e Neshandeh和Masjid-i Sulaiman。
介绍（英）	This fragmentary stone relief of a standing man is a product of the resurgence of an Eastern aesthetic in Parthian art. The style it exemplifies is characterized by strict frontality and a concentration on linear details, in particular the careful rendition of textiles. The figure shown here, carved in extremely low relief, may be identified as a worshipper by the right hand raised palm forward in a gesture of reverence. Lines incised on the surface, rather than volumetric modeling, convey the quality of his clothes, mustache, and broad, square-cut beard. His prominent eyes are flat and outlined with ridges; the nose is also flat. His hair is executed in tiers of thick spirals. The worshiper wears a belted tunic decorated with a row of lozenges, each containing a circle; a braid of spirals runs down the front of his garment and others trim the cuffs. Two items are tucked under his belt, and in his left hand he holds an object. At his right hip another object is depicted, perhaps meant as a sword. Votive images of worshipers similar to this one adorned the terraces of sanctuary complexes such as those at Bard-e Neshandeh and Masjid-i Sulaiman, both in the Iranian province of Khuzestan.