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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)斑块碎片
品名(英)Plaque fragment
入馆年号1959年,59.107.14
策展部门古代近东艺术Ancient Near Eastern Art
创作者
创作年份公元前 900 - 公元前 700
创作地区
分类
尺寸3.86 x 7.01 x 0.28 英寸 (9.8 x 17.81 x 0.71 厘米)
介绍(中)这幅象牙条描绘了动物之间的战斗场景,其中狮鹫和狮子攻击公牛。公牛的身体完全填满了顶部和底部边界之间的空间,但他的头部没有保留下来。在牌匾的右上角,可以看到一只狮子的爪子在咬公牛的脖子。一只狮鹫,一种鹰头神奇的生物,拥有狮子的身体,攻击公牛的后躯,它的下喙刺穿了公牛的肉。像这样的雕刻象牙件在公元前一千年早期广泛用于生产精英家具,并且经常使用细木工技术和胶水镶嵌在木框架中。这个碎片显然是一个更大的雕刻条的一部分,可能是椅子或床的一部分。真实和神奇的动物之间激烈战斗的场景是北叙利亚作坊象牙上的常见主题。

尼姆鲁德的宫殿和储藏室由亚述国王阿舒尔纳西尔帕尔二世建造,存放了数千件雕刻象牙。大多数象牙用作家具镶嵌物或小贵重物品,如盒子。虽然其中一些雕刻的风格与西北宫殿墙壁上的大型亚述浮雕相同,但大多数象牙都展示了与北叙利亚和腓尼基城邦艺术相关的图像和风格。腓尼基风格的象牙的特点是使用与埃及艺术相关的图像,例如狮身人面像和戴法老王冠的人物,以及使用精致的雕刻技术,例如镂空和彩色玻璃镶嵌。北叙利亚风格的象牙倾向于以更动态的构图描绘更粗壮的人物,雕刻成实心牌匾,添加的装饰元素较少。但是,有些作品不容易融入这三种风格中的任何一种。大多数象牙可能是亚述国王从附庸国收集的贡品,以及被征服的敌人的战利品,而有些可能是在尼姆鲁德的作坊中制造的。为这些物品提供原材料的象牙几乎可以肯定来自非洲大象,从埃及南部的土地进口,尽管大象确实居住在叙利亚的几个河谷,直到公元前八世纪末被猎杀灭绝。
介绍(英)This strip of ivory depicts a combat scene between animals, in which a griffin and a lion attack a bull. The bull’s body entirely fills the space between the top and bottom border, but his head is not preserved. At the top right corner of the plaque, a lion’s paw can be seen mauling the bull’s neck. A griffin, an eagle-headed fantastic creature with the body of a lion, attacks the bull’s hindquarters, and its lower beak is shown piercing the bull’s flesh. Carved ivory pieces such as this were widely used in the production of elite furniture during the early first millennium B.C., and were often inlaid into a wooden frame using joinery techniques and glue. This fragment was clearly part of a larger carved strip, perhaps part of a chair or bed. The scene of energetic combat between real and fantastic animals is a common motif on ivories attributed to North Syrian workshops.

Built by the Assyrian king Ashurnasirpal II, the palaces and storerooms of Nimrud housed thousands of pieces of carved ivory. Most of the ivories served as furniture inlays or small precious objects such as boxes. While some of them were carved in the same style as the large Assyrian reliefs lining the walls of the Northwest Palace, the majority of the ivories display images and styles related to the arts of North Syria and the Phoenician city-states. Phoenician style ivories are distinguished by their use of imagery related to Egyptian art, such as sphinxes and figures wearing pharaonic crowns, and the use of elaborate carving techniques such as openwork and colored glass inlay. North Syrian style ivories tend to depict stockier figures in more dynamic compositions, carved as solid plaques with fewer added decorative elements. However, some pieces do not fit easily into any of these three styles. Most of the ivories were probably collected by the Assyrian kings as tribute from vassal states, and as booty from conquered enemies, while some may have been manufactured in workshops at Nimrud. The ivory tusks that provided the raw material for these objects were almost certainly from African elephants, imported from lands south of Egypt, although elephants did inhabit several river valleys in Syria until they were hunted to extinction by the end of the eighth century B.C.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。