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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)带有跨步狮身人面像的开放式牌匾
品名(英)Openwork plaque with a striding sphinx
入馆年号1964年,64.37.1
策展部门古代近东艺术Ancient Near Eastern Art
创作者
创作年份公元前 900 - 公元前 700
创作地区
分类
尺寸高 3 7/16 x 宽 4 1/16 x Th. 13/16 英寸 (8.8 x 10.3 x 2.1 厘米)
介绍(中)狮身人面像是一种将狮子的身体(通常有翅膀)与人头结合在一起的生物,经常出现在尼姆鲁德的象牙牌匾上。由于狮身人面像结合了腓尼基风格象牙上常见的埃及元素,如假发和太阳圆盘头饰,以及北叙利亚象牙引人注目的正面凝视特征,因此被归类为南叙利亚象牙,这种风格介于两者之间。在细长的猫科动物身体和弯曲的翅膀上可以明显看出其雕刻技巧。该人物采用透雕技术雕刻成高浮雕,背景被切掉,使其接近圆形雕塑的深度。埃及风格的假发让人联想到女性的脸,而身体是男性的,营造出优雅的雌雄同体形象

尼姆鲁德的宫殿和储藏室由亚述国王阿舒尔纳西尔帕尔二世建造,存放着数千件雕刻的象牙。象牙大多用作家具镶嵌物或盒子等珍贵的小物件。虽然其中一些象牙的雕刻风格与西北宫墙壁上的大型亚述浮雕相同,但大多数象牙都展示了与北叙利亚和腓尼基城邦艺术有关的图像和风格。腓尼基风格的象牙的特点是使用了与埃及艺术相关的图像,如狮身人面像和戴法老王冠的人物,以及使用了精细的雕刻技术,如镂空和彩色玻璃镶嵌。北叙利亚风格的象牙往往以更具活力的构图描绘更敦实的人物,雕刻成实心牌匾,添加的装饰元素较少。然而,有些单品不容易融入这三种风格中的任何一种。大多数象牙可能是亚述国王从附庸国收集的贡品,以及被征服的敌人的战利品,而一些象牙可能是在尼姆鲁德的作坊里制造的。为这些物品提供原材料的象牙几乎可以肯定来自从埃及南部进口的非洲大象,尽管大象确实栖息在叙利亚的几个河谷中,直到公元前八世纪末被猎杀灭绝。
介绍(英)Sphinxes, creatures that combine a lion’s body, often winged, with a human head, appear frequently on the ivory plaques from Nimrud. Because this sphinx combines Egyptian elements typically found on Phoenician style ivories, such as the wig and solar-disc headdress, with the arresting frontal gaze characteristic of North Syrian ivories, it has been classified as South Syrian, a style that occupies an intermediate position between the two. Considerable carving skill is evident in the elongated feline body and extended curving wings. The figure is carved in high relief in the openwork technique, in which the background is cut away, giving it nearly the depth of a sculpture in the round. The Egyptian style wig suggests a female face, while the body is male, creating an image of elegant androgyny.

Built by the Assyrian king Ashurnasirpal II, the palaces and storerooms of Nimrud housed thousands of pieces of carved ivory. Most of the ivories served as furniture inlays or small precious objects such as boxes. While some of them were carved in the same style as the large Assyrian reliefs lining the walls of the Northwest Palace, the majority of the ivories display images and styles related to the arts of North Syria and the Phoenician city-states. Phoenician style ivories are distinguished by their use of imagery related to Egyptian art, such as sphinxes and figures wearing pharaonic crowns, and the use of elaborate carving techniques such as openwork and colored glass inlay. North Syrian style ivories tend to depict stockier figures in more dynamic compositions, carved as solid plaques with fewer added decorative elements. However, some pieces do not fit easily into any of these three styles. Most of the ivories were probably collected by the Assyrian kings as tribute from vassal states, and as booty from conquered enemies, while some may have been manufactured in workshops at Nimrud. The ivory tusks that provided the raw material for these objects were almost certainly from African elephants, imported from lands south of Egypt, although elephants did inhabit several river valleys in Syria until they were hunted to extinction by the end of the eighth century B.C.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。