家具腿（？），有一只卧着的狮子支撑着神 - 美国大都会艺术博物馆展品查阅

品名（中）	家具腿（？），有一只卧着的狮子支撑着神
品名（英）	Furniture leg (?) with a recumbent lion supporting a deity
入馆年号	1965年，65.163.1a–c
策展部门	古代近东艺术（Ancient Near Eastern Art）
创作者
创作年份	公元前 900 - 公元前 800
创作地区
分类
尺寸	高 2 13/16 x 宽 1 3/4 x 深 3 7/16 英寸 (7.2 x 4.5 x 8.7 厘米)
介绍（中）	在伊朗哈桑鲁的发掘中发现了大量的雕刻象牙碎片，其中许多具有独特的风格，仅在该遗址发现，这些碎片可能装饰木制家具或用作盒子等小型珍贵物品。哈桑鲁的城堡在公元前 800 年左右遭到袭击和摧毁，很可能是强大的乌拉尔图国的军队袭击和摧毁的，乌拉尔图以今天的亚美尼亚、土耳其东部和伊朗西北部为中心。在摧毁城堡的大火中，许多物体被压碎和破碎。大多数哈桑鲁象牙的黑色外观是由于它们在城堡被摧毁时暴露在高温下。这块雕刻的大象牙可能是家具腿或工具的手柄。顶部是一个神的脚，他站在咆哮的狮子背上，雕刻成圆形。正下方的部分不见了，将这块连接到它下面的部分的唐暴露在外。一个圆柱形的部分显示了三个雕刻成浮雕的男性人物。其中两个人面向右侧，接近场景右侧面对他们的第三个。所有显示的头部和腿部轮廓和躯干在前视图。为眼睛钻的圆孔曾经镶嵌着。中间的人物留着胡须，与其他两个人不同，他右手拿着一个容器喝水。这个场景的含义是神秘的，但一根狼牙棒，在中心人物和他面对的人物之间向下显示，暗示着和平的意图。底座严重受损。
介绍（英）	Excavations at Hasanlu in Iran yielded a large number of carved ivory fragments, many in a distinctive style found only at this site, which probably decorated wooden furniture or were used as small precious objects such as boxes. The citadel at Hasanlu was attacked and destroyed around 800 B.C., most likely by military forces of the powerful state of Urartu, centered in present-day Armenia, eastern Turkey, and northwestern Iran. In the fire that destroyed the citadel, many objects were crushed and shattered. The blackened appearance of most of the Hasanlu ivories is due to their exposure to high temperatures at the time of the citadel’s destruction. This large sculpted piece of ivory was probably either a furniture leg or a handle to an implement. At top are the feet of a deity who stands on the back of a roaring lion, carved in the round. The section directly below this is missing, leaving the tang that attaches this piece to the one below it exposed. A cylindrical segment shows three male figures carved in relief. Two of them face right, approaching a third at the right side of the scene who faces them. All are shown with head and legs in profile and torso in front view. The round holes drilled for the eyes once held inlays. The central figure is bearded, unlike the other two, and drinks from a vessel held in his right hand. The meaning of the scene is mysterious, but a mace, shown head downward between the central figure and the figure he faces, suggests peaceful intent. The base is extensively damaged.