与湿婆/大正神的面板碎片 - 美国大都会艺术博物馆展品查阅

品名（中）	与湿婆/大正神的面板碎片
品名（英）	Panel fragment with the god Shiva/Oesho
入馆年号	2000年，2000.42.4
策展部门	古代近东艺术（Ancient Near Eastern Art）
创作者
创作年份	公元 200 - 公元 300
创作地区
分类
尺寸	22 1/2 × 16 3/8 × 2 1/4 英寸, 28 磅 (57.2 × 41.6 × 5.7 厘米, 12.7 kg)
介绍（中）	这个罕见的中亚奉献面板描绘了一个神灵（带有 nimbus）被崇拜者接近，可能是非皇室成员，但被描绘成与神同等地位。在构图上，他们遵循了来自后希腊化西方和伊朗的致敬和就职场景，其中国王和神并排出现。除了失踪的崇拜者的手外，还描绘了Siva/Oesho神。他四臂三头，有突出的第三只眼睛，穿着兽皮和系着腰带的透明服装，手持三叉戟。在这里，最清楚地展示了贵霜王国丰富的跨文化风格：印度神圣的图像;伊朗类型的两位数构图;以及希腊罗马自然主义在帷幔和姿势，以及使用光影来暗示建模。面板的角落有孔，可能与博物馆收购的其他三个（MMA 2000.42.1，.2，.3）一起设置在圣所的内墙上，也许是一个家庭神社。
介绍（英）	This rare Central Asian votive panel depicts a deity (with nimbus) being approached by a worshiper, probably nonroyal but portrayed as of equal stature to the god. Compositionally, they follow scenes of homage and investiture from the post-Hellenistic West and from Iran in which a king and a god appear side by side. Along with the hands of a missing worshiper, the god Siva/Oesho is depicted. Four-armed and three-headed, with a prominent third eye, he wears an animal skin and a belted, diaphanous garment and holds a trident. Here, the rich intercultural style that developed in the Kushan realm is most clearly displayed: Indian divine iconography; the Iranian type of two-figured composition; and Greco-Roman naturalism in the drapery and pose, as well as in the use of light and shadow to suggest modeling. The panel has holes at the corners and was probably set up, together with three others acquired by the Museum (MMA 2000.42.1, .2, .3), on the interior walls of a sanctuary, perhaps a family shrine.