一个农民牵着马在树林的郊外 - 美国大都会艺术博物馆展品查阅

品名（中）	一个农民牵着马在树林的郊外
品名（英）	A Peasant Leading his Horse on the Outskirts of a Wood
入馆年号	1992年，1992.143
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Pieter Barbiers II【1749 至 1842】【荷兰人】
创作年份	公元 1761 - 公元 1842
创作地区
分类	图画（Drawings）
尺寸	9 x 11 5/8 英寸 (22.9 x 29.5 厘米)
介绍（中）	在一片森林的边缘，一个人正牵着他的马走向海滨。这名男子转头伸出左臂，同时似乎在指挥他的狗。这两棵高大而古老的树在旁边耸立，几乎使这些雕像相形见绌。然后，观众的视线继续延伸到广阔的开阔景观，在左侧背景中展开，一些淡紫色的云彩正在为蓝色的天空着色。在远处，巴比尔描绘了与荷兰乡村完全不同的高山 Pieter Barbiers是一个艺术家家庭的成员，在阿姆斯特丹工作。他一开始是一个挂墙的画家，挂墙是一系列拱廊景观，用来装饰客厅。当1800年左右，人们对这种艺术形式的兴趣开始减弱时，Barbiers将注意力集中在绘画、绘画和风景版画上。这些乡村风景，特别是这里展示的那种绘画风格的床单，在当代收藏家中需求量很大这一景观不太可能是基于直接观察，而是在艺术家的工作室中形成的。Barbiers很可能使用了一些草图和人物研究，这些都是他组装的，以制作这张高度完成的纸。在用黑色粉笔画出初步草图后，艺术家仔细地涂上了各种层次的水粉。例如，在右边的树皮上，它们的层次结构的复杂性显而易见，树皮由无数的灰色、棕色和蓝绿色虚线构成，以表达其各种纹理。最后的修饰是添加了一些白色，使这棵树和它的灌木丛在前景中脱颖而出。
介绍（英）	At the edge of a forest, a man is leading his horse towards a waterfront. With his head turned and left arm outstretched, the man at the same time seems to be commanding his dog. These figures are nearly dwarfed by the two majestic, age-old trees rising to their side. The viewer’s gaze then continues to the wide open landscape, unfolding in the left background, where some lilac clouds are coloring the blue sky. In the far distance, Barbiers depicted high hills that are completely alien to the Dutch countryside. Pieter Barbiers was a member of a family of artists, working in Amsterdam. He started off as a painter of wall hangings - large ensembles of arcadian landscapes, used to decorate a drawing room. When around 1800 the interest in this art form started to wane, Barbiers directed his focus to making drawings, paintings and prints of landscapes. These rustic scenes, and specifically painterly sheets like the one shown here, were in high demand among contemporary collectors. It is unlikely that this landscape was based on direct observation, but rather came together in the artist’s studio. Barbiers would likely have used some sketches and figure studies which he assembled to make this highly finished sheet. After drawing a preliminary sketch in black chalk, the artist carefully applied various layers of gouache. The complexity of their layering is apparent for example in the bark of the tree to the right, which is constructed out of numerous dashes of gray, brown and blueish-green to articulate its various textures. The finishing touches were some additions of white that make this tree and its undergrowth stand out in the foreground.