想象中的威尼斯景色，左边的房子和露台上的人物，背景中央是一座圆顶教堂，下面是船和船棚，前景右侧的一个坐着的人从墙上观察，来自“视图”（Vedute altre prese da i luoghi altre ideate da Antonio Canal） - 美国大都会艺术博物馆展品查阅

品名（中）	想象中的威尼斯景色，左边的房子和露台上的人物，背景中央是一座圆顶教堂，下面是船和船棚，前景右侧的一个坐着的人从墙上观察，来自“视图”（Vedute altre prese da i luoghi altre ideate da Antonio Canal）
品名（英）	Imaginary View of Venice, houses at left with figures on terraces, a domed church at center in the background, boats and boat-sheds below, and a seated man observing from a wall at right in the foreground, from 'Views' (Vedute altre prese da i luoghi altre ideate da Antonio Canal)
入馆年号	1973年，1973.634
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Canaletto (Giovanni Antonio Canal)【1697 至 1768】【意大利人】
创作年份	公元 1741
创作地区
分类	印刷品（Prints）
尺寸	页 (Tri毫米ed): 11 13/16 × 17 3/16 英寸 (30 × 43.7 厘米)
介绍（中）	十八世纪的威尼斯是印刷业异常繁荣的地方，1740–45年达到了顶峰。正是在这些年里，伟大的威尼斯和英国风景画家卡纳莱托在那里逗留期间，创作了大约三十幅蚀刻版画：十三幅大盘子和十七幅小盘子。该系列的标题牌上写着"视图，有些代表真实的网站，有些则是虚构的。"这是想象中的景色之一，让人想起威尼斯和泻湖。不知什么原因，卡纳莱托在制作完成后不久就把这个盘子从中间分成了两个中心人物的背部。从未分开的盘子中只知道不到十个压痕。左边墙上的日期是1741年的罗马数字，是卡纳莱托版画中唯一的一个。
介绍（英）	Venice in the eighteenth century was the site of an extraordinary flourishing of print production, which reached its apogee in the years 1740–45. It was in these years that Canaletto, the great painter of views of Venice and also of England during his sojourn there, made approximately thirty etchings: thirteen large plates and seventeen smaller ones. The title plate to the series states that these are 'Views, some representing actual sites, others imaginary.' This is one of the imaginary views, reminiscent of Venice and the lagoon. For an unknown reason, Canaletto divided this plate down the middle, between the backs of the two central figures, soon after it was made. Fewer than ten impressions are known from the undivided plate. The date, 1741 in Roman numerals on the wall at the left, is the only one on any of Canaletto's prints.