圣保拉和圣尤斯托基姆前往圣地 - 美国大都会艺术博物馆展品查阅

品名（中）	圣保拉和圣尤斯托基姆前往圣地
品名（英）	The Departure of Saint Paula and Saint Eustochium for the Holy Land
入馆年号	1987年，1987.245
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Giuseppe Bottani【1717 至 1784】【意大利人】
创作年份	公元 1740
创作地区
分类	图画（Drawings）
尺寸	15 7/8 x 9 5/8英寸 (40.3 x 24.4厘米)
介绍（中）	这幅画是一幅方形的书房，与博塔尼的不朽祭坛画作略有不同，现藏于米兰布雷拉美术馆，签名并注明日期为 1745 年（ 410 x 231 厘米;第 410 卷）。这幅画通常被认为是艺术家的早期杰作，在罗马执行，并由Hieronymite委托他们为现已被摧毁的米兰Santi Cosma e Damiano教堂。罗马寡妇宝拉的右边站着她的女儿尤斯托基姆，她陪同她前往圣地与圣杰罗姆会合。宝拉的女儿鲁菲娜亲吻母亲的手告别，宝拉的儿子托克索提乌斯跪在右边。在准备他的大型画布时，博塔尼完成了一幅高度完成的油画素描，也是大都会艺术博物馆收藏的一部分（编号1991.445）。像博塔尼的许多画作一样，在他去世时，这张纸由艺术家的兄弟乔瓦尼收集并在底部注释，他提供了它的执行年份，即 1740 年。（弗里奥·里纳尔迪）
介绍（英）	The drawing is a squared study with minor variations for Bottani's monumental altarpiece now in the Pinacoteca di Brera, Milan, signed and dated 1745 ( 410 x 231 cm; inv. 410). The painting, generally considered the artist's early masterpiece, was executed in Rome and commissioned by the Hieronymites for their now-destroyed Milanese church of Santi Cosma e Damiano. To the right of the Roman widow Paula stands her daughter Eustochium, who accompanied her to the Holy Land to join Saint Jerome. Paula's daughter Rufina kisses her mother's hand in farewell, and Paula's son Toxotius kneels at the right. In preparation of his large canvas, Bottani realized an highly finished oil sketch, also part of the collection of the Metropolitan Museum of Art (acc. no. 1991.445). Like many of Bottani's drawings, at his death the sheet was collected and annotated on the bottom by the artist's brother Giovanni, who provided the year of its execution, 1740. (Furio Rinaldi)