两个女人在一个瓮边的薯条设计 - 美国大都会艺术博物馆展品查阅

品名（中）	两个女人在一个瓮边的薯条设计
品名（英）	Design for a Frieze with Two Women Flanking an Urn
入馆年号	1962年，62.242
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Giuseppe Cades【1750 至 1799】【意大利人】
创作年份	公元 1775 - 公元 1785
创作地区
分类	图画（Drawings）
尺寸	13-1/4 x 19-5/16 英寸 (33.6 x 49.0 厘米)
介绍（中）	这个设计的高度雕塑特征是艺术家朱塞佩·卡德斯的一些绘画作品的特点。18世纪下半叶，作为一名活跃在意大利的画家和雕塑家，他的设计受到了古董和文艺复兴时期的影响。尽管这种特殊的雕带设计具有非常不朽的品质，但其预期用途尚不清楚。Cades为侧板的装饰引入了两种变体，这表明他仍在尝试不同的想法。右侧的面板与杏仁形框架中的混血女性形象在Vivenel博物馆（法国康皮涅）保存的相关图纸中重复出现。在那里，它与三个相似的女性形象结合在一起，被描绘成卡亚特人。有人认为，这两张床单一起构成了墙壁和天花板装饰项目的一部分，让人想起罗马梵蒂冈宫米开朗基罗的西斯廷教堂。然而，到目前为止，还没有此类项目的书面证据浮出水面，也不清楚这些设计是否曾经实现。
介绍（英）	The highly sculptural features of this design are characteristic for some of the drawings by the artist Giuseppe Cades. Active as a painter and sculptor in Italy during the second half of the 18th century, his designs channel both the influence of the Antique and the Renaissance periods. Although this particular design for a frieze has a very monumental quality to it, its intended purpose is unknown. The fact that Cades introduces two variants for the decoration of the side panels indicates that he was still trying out different ideas. The panel on the right with the hybrid female figure in the almond-shaped frame is repeated in a related drawing kept in the Musée Vivenel (Compiègne, France). There it is combined with three similar female figures, portrayed as caryatids. It has been suggested that the two sheets together form part of a project for the decoration of a wall and ceiling, reminiscent of Michelangelo’s Sistine Chapel in the Vatican Palace in Rome. No documentary evidence of such a project has thus far surfaced however and it is unclear whether these designs were ever realized.