《报喜》 - 美国大都会艺术博物馆展品查阅

品名（中）	《报喜》
品名（英）	The Annunciation
入馆年号	2000年，2000.20
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Martin Fréminet【1567 至 1619】【法国人】
创作年份	公元 1610 - 公元 1615
创作地区
分类	图画（Drawings）
尺寸	7 9/16 x 11 5/16 英寸 (19.3 x 28.8 厘米)
介绍（中）	枫丹白露城堡三位一体教堂的装饰多年来一直占据着法国宫廷的高级艺术家。在杜桑·杜布勒伊于1602年和艾蒂安·杜蒙斯捷二世于1603年去世后，亨利四世从意大利召回弗雷米内接管该项目。这张最近发现的床单是描绘高坛上方天使报喜的半月形的早期想法。弗雷米内特风格复兴风格的典型特征是倒置构图，其中圣母和大天使加百列的中心人物在中间地带平静而矮小，而半月形的前景角落则充满了密集的附属人物，摆出优雅扭曲的姿势。弗雷米内特肌肉发达的米开朗风格对枫丹白露第二学派的发展产生了强烈影响。弗雷米内特在巴黎卢浮宫为高坛绘制的一幅大型展示画展示了半月形的绘制方式，与大都会的书房相比有一些变化，最值得注意的是天使加布里埃尔的形象被改为站立。然而，祭坛最终以不同的设计建造，在弗雷米内特去世十一年后开始，这掩盖了天使报喜壁画的大部分。
介绍（英）	The decoration of the Chapel of the Trinity at the chateau of Fontainebleau occupied the senior artists of the French court for many years. Following the deaths of Toussaint Dubreuil in 1602 and Étienne Dumonstier II in 1603, Henri IV summoned Fréminet back from Italy to take over the project. This recently discovered sheet was an early idea for the lunette depicting the Annunciation above the high altar. Typical of Fréminet’s style of Mannerist revival is the inverted composition, where the central figures of the Virgin and the archangel Gabriel are calm and diminutive in the middle ground while the foreground corners of the lunette are filled with densely packed subsidiary figures in poses of elegant contortion. Fréminet’s muscular, Michelangesque style had a strong impact on the development of the second school of Fontainebleau. A large presentation drawing by Fréminet in the Louvre, Paris for the high altar shows the lunette as it was painted, with some changes from the Metropolitan’s study, most notably the figure of the angel Gabriel was changed to standing. However, the altar was ultimately built to a different design, begun eleven years after Fréminet’s death, which obscured a large portion of the Annunciation fresco.