坐着的Sibyl和助理天才（校长）；侧面马的头部研究（verso） - 美国大都会艺术博物馆展品查阅

品名（中）	坐着的Sibyl和助理天才（校长）；侧面马的头部研究（verso）
品名（英）	Seated Sibyl and Attendant Genius (recto); Study of the Head of a Horse in Profile (verso)
入馆年号	1962年，62.120.7
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Pirro Ligorio【1512 至 1583】【意大利人】
创作年份	公元 1535 - 公元 1545
创作地区
分类	图画（Drawings）
尺寸	9 5/8 x 10 7/16英寸 (24.5 x 26.5厘米)
介绍（中）	这座纪念性的西比尔的灵感来自米开朗基罗于1508年至1512年在西斯廷天花板上壁画的"基督祖先"的人物类型。用红粉笔大胆但完成的绘画方式让人想起了拉斐尔在1515年至20年的研究，当时他正处于罗马时期的鼎盛时期。画家、建筑师和博学的古董商，那不勒斯人皮罗·利戈里奥主要活跃在罗马和费拉拉。西比尔大都会博物馆（Metropolitan Museum Sibyl）有着大手和粗腕，其历史可能可以追溯到15世纪40年代，因此相当早于利戈里奥在罗马的岁月菲利普·庞西（Philip Pouncey）在伦敦Squire收藏这幅画时曾提出将其归属于Sebastiano del Piombo，这幅画在进入大都会博物馆后出版并展出。1971年，J.A.Gere提出了Pirro Ligorio的名字，他的建议后来被庞西接受。即使坐着的女性形象的幅度和敏感的光线暗示了塞巴斯蒂安亚诺的名字，基尔指出，"可怕的手，用畸形的手腕笨拙地绑在手臂上，显示了（利戈里奥）这种被夸大到实际畸形的特征性举止。"这幅画无法与塞巴斯蒂安·德尔·皮奥姆博的任何现存作品联系起来，但很明显，这个人物的灵感来自西斯廷教堂的西伯利亚人。
介绍（英）	This monumental Sibyl was inspired by the figural types of the "Ancestors of Christ" frescoed by Michelangelo on the Sistine ceiling from 1508 to 1512. The bold but finished manner of drawing with red chalk recalls Raphael's studies of about 1515–20, at the height of his Roman period. Painter, architect, and learned antiquarian, the Neapolitan Pirro Ligorio was active mainly in Rome and Ferrara. With her large hands and thick wrists, the Metropolitan Museum Sibyl probably dates from the 1540s, thus fairly early in Ligorio's years in Rome. An attribution to Sebastiano del Piombo had been proposed by Philip Pouncey when this drawing was in the Squire collection in London, and the drawing was published and exhibited with this attribution after it came to the Metropolitan Museum. Then in 1971 J. A. Gere proposed the name of Pirro Ligorio, and his suggestion has since been accepted by Pouncey. Even if the amplitude of form and the sensitive lighting of the seated female figure suggested the name of Sebastiano, Gere points out that "the monstrous hands, clumsily attached to the arms by grotesquely malformed wrists, show this characteristic mannerism [of Ligorio] exaggerated to the point of actual deformity." The drawing cannot be connected with any extant work by Sebastiano del Piombo, but it is clear, that the figure is inspired by the sibyls in the Sistine Chapel.