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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)圣亚历克西斯·法尔科尼利在蒙特塞纳里奥的死亡
品名(英)The death of Saint Alexis Falconieri at Monte Senario
入馆年号1961年,61.178.2
策展部门绘画和印刷品Drawings and Prints
创作者Bernardino Poccetti【1548 至 1612】【意大利人】
创作年份公元 1548 - 公元 1612
创作地区
分类图画(Drawings)
尺寸6-3/8 x 11-1/16 英寸 (16.2 x 28.1 厘米)
介绍(中)这幅描绘了"亚历克西斯·法尔科涅里在塞纳里奥山之死"的画作是贝纳迪诺·波切蒂在 1606 年左右在佛罗伦萨圣提西玛安农齐亚塔的"死者修道院"(死者修道院)中绘制的壁画之一的研究。壁画是被称为"Chiostri dei Morti"的大型回廊中一系列二十五幅类似形状的壁画的一部分。壁画涉及仆人僧侣的生与死。只有十三幅壁画是波切蒂画的。该系列中的其他人是Matteo Rosselli(1578-1650),Fra Arsenio Mascagni(Donato Mascagni,1579-1636)和Ventura Salimbeni(1568-1613)。
大都会博物馆总共拥有波切蒂的四幅画作,这些画作是Annunziata中重要壁画的研究:见第80.3.320号(图形研究),64.48.1(圣菲利普贝尼齐在托迪转换两名妇女)和200.91.1(坐姿人物和打磨人物)。
月形壁画 - 大都会绘画是研究 - 是佛罗伦萨回廊右墙上的最后一个壁画。这幅画的下方是以下题词:"IL BEATO ALESSO FALCONIERI L'ULTIMO AMANCARE DE SERVI L'ANNO CX DI SUA ETA INVITATO DA GESU BENEDETTO AL PARADISO SENE MUORE SANTAMENTE IN MONTE SENARIO L'ANNO MCCC X。

正如保罗·汉密尔顿和雅各布·比恩所讨论的那样,博物馆的纸张与一幅用红色粉笔研究的图画有关,用于躺在地上的垂死圣徒的形象(收藏弗里茨·卢格特,巴黎 inv. T.4546),以及现在在佛罗伦萨 Gabinetto Disegni e Stampe degli Uffizi 中对同一构图的其他研究:右下角对两个人和马的研究, 用钢笔、黑色墨水和蓝灰色水洗(第 1686 S 号);左边跪着的人的红色粉笔研究(也有死去的法尔科涅里的轻微草图,编号8371 F,);为构图中的其他僧侣进行的三幅红色粉笔研究(或相关的壁画:第 8645 F r-v 和 8646F 号);一个低着头站着的僧侣的研究,可能与我们画中的中心人物有关;跪着的僧侣抬头看右边的变体(8736 S);最右边站立的男子左手拿着长袍的红色粉笔画(第 817 F 号)。乌菲齐的另一幅画(编号851 F)是一幅与我们的技术非常相似的画作,尺寸为(27x39厘米),是该系列另一幅壁画"有福的乌古乔内和有福的索斯泰尼奥之死"的研究。另一部月亮的作曲研究"有福的菲利波·布纳吉恩塔·马内蒂之死"在牛津阿什莫林博物馆(见K.T. Parker,"阿什莫林博物馆绘画收藏目录",牛津1956年,第二卷,意大利学校,第471号,第CX,ill.)。这幅画未列入拉戈伊收藏的一部分死后销售目录(见:"拉戈伊侯爵侯爵内阁出处的古代和起源目录",1834 年 4 月 17 日至 19 日。
介绍(英)This drawing depicting the ‘Death of Alexis Falconieri at Monte Senario’ is a study for one of the lunettes frescoed around 1606 by Bernardino Poccetti in the ‘Chiostro dei Morti’ (Cloister of the Dead) at the Santissima Annunziata, Florence. The fresco forms part of a series of twenty five similarly shaped frescoes in the large cloister called the "Chiostri dei Morti". The frescoes deal with the lives and deaths of the Servite monks. Only thirteen of the frescoes were painted by Poccetti. Others in the series were by Matteo Rosselli (1578-1650), Fra Arsenio Mascagni (Donato Mascagni, 1579-1636) and by Ventura Salimbeni (1568-1613).
The Metropolitan Museum owns a total of four drawings by Poccetti which are studies for the important frescoes in the Annunziata: see inv. nos. 80.3.320 (Figure Studies), 64.48.1 (Saint Philip Benizi Converting two Women at Todi) and 200.91.1 (Seated Figure and Sanding Figure).
The lunette-shaped fresco - for which the Met drawing is a study - is the last one on the right wall of the Florentine cloister. Below the painting is the following inscription: "IL BEATO ALESSO FALCONIERI L'ULTIMO AMANCARE DE SERVI L'ANNO CX DI SUA ETA INVITATO DA GESU BENEDETTO AL PARADISO SENE MUORE SANTAMENTE IN MONTE SENARIO L'ANNO MCCC X."

As discussed by Paul Hamilton and Jacob Bean, the Museum’s sheet relates with a drawing made in red chalk study for the figure of the dying saint lying on the ground (Collection Frits Lugt, Paris inv. T.4546) and with other studies for the same composition now in the Gabinetto Disegni e Stampe degli Uffizi, Florence: a study for the two men and horses in the lower right corner, in pen, black ink, and blue-gray wash (inv. no. 1686 S); a red chalk study for the kneeling man at the left (also with a slight sketch of the dead Falconieri, inv. no. 8371 F,); three red chalk studies for other monks in the composition (or for a related fresco: inv. nos. 8645 F r-v and 8646F); a study for a standing monk with his head bowed, possibly related to the center figure in our drawing; a variation of the kneeling monk looking up at the right (inv. 8736 S); a red chalk drawing for the standing man at the extreme right holding his robe in the left hand (inv. no. 817 F). A further sheet in the Uffizi (inv. no. 851 F) is a drawing very similar to ours in technique, measuring (27x39 cm), and is a study for another fresco in the series, ‘The deaths of the Blessed Uguccione and the Blessed Sostegno.’ A composition study for another of the lunettes ‘Death of the Blessed Filippo Buonagiunta Manetti,’ is in the Ashmolean Museum, Oxford (see K.T. Parker, ‘Catalogue of the Collection of Drawings in the Ashmolean Museum,’ Oxford 1956, vol. II, Italian schools, no. 471, pl. CX, ill.). This drawing is not listed in the catalogue of the posthumous sale of a part of the Lagoy collection (see: "Catalogue de dessins anciens et originaux de toutes les écoles provenant du cabinet de feu M. le Marquis de Lagoy, " 17-19 April, 1834.)
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。