佛罗伦萨奥尔桑米歇尔，圣安东尼在十字架前跪下 - 美国大都会艺术博物馆展品查阅

品名（中）	佛罗伦萨奥尔桑米歇尔，圣安东尼在十字架前跪下
品名（英）	Saint Antoninus Kneeling before the Crucifix in Orsanmichele, Florence
入馆年号	1974年，1974.367
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Bernardino Poccetti【1548 至 1612】【意大利人】
创作年份	公元 1600 - 公元 1605
创作地区
分类	图画（Drawings）
尺寸	6-7/8 x 10-15/16 英寸 (17.4 x 27.8 厘米)
介绍（中）	1955年，Walter Vitzthum将这幅画确定为一幅新月形壁画的研究对象，该壁画代表了佛罗伦萨多明尼加大主教圣安东尼努斯的生活场景，由Poccetti于1602-1604年在佛罗伦萨圣马可多明尼加修道院的圣安东尼乌斯回廊绘制在这幅画和壁画中，波切蒂准确地展示了奥山米歇尔的内部，背景是安德里亚·奥卡格纳的帐篷的侧视图。在乌菲齐和柏林也有其他与这篇文章有关的研究（见Hamilton 1980，第74-77页）。对波切蒂的古老而正确的归因于这位收藏家，他在自己的画作上标注了这位艺术家的名字，先是希腊语，然后是意大利语。詹姆斯·拜亚姆·肖（James Byam Shaw）在讨论牛津基督教堂（Christ Church，Oxford）的十二幅带有此类注释的画作时表示，使用希腊字母似乎是十六世纪中期佛罗伦萨学者收藏家的矫揉造作。巴黎美术学院的《殉难场景》（inv.Masson 2381）在希腊语注释中被正确地归因于波切蒂。
介绍（英）	Walter Vitzthum in 1955 identified this drawing as a study for one of the lunette-shaped frescoes representing scenes from the life of the Dominican archbishop of Florence, Saint Antoninus, painted by Poccetti ca. 1602-1604 in the cloister of Saint Antoninus of the Dominican priory of Saint Mark in Florence. In both the drawing and the fresco Poccetti gives an accurate view of the interior of Orsanmichele with a side view of Andrea Orcagna's tabernacle in the background. There are other studies related to this composition in the Uffizi and in Berlin (see Hamilton 1980, pp. 74-77). The old and certainly correct attribution to Poccetti is due to the collector who annotated his drawings with the artist's name, first in Greek and then in Italian. James Byam Shaw, in discussing the twelve drawings at Christ Church, Oxford, that bear such annotations, remarks that the use of Greek letters seems to have been an affectation of Florentine scholar-collectors from the middle of the sixteenth century. A Scene of Martyrdom in the Ecole des Beaux-Arts, Paris (inv. Masson 2381) is correctly attributed to Poccetti in a Greek annotation by the same hand.