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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)一个和尚拿着一本书和一个长工具的半身研究
品名(英)Half-Length Study of a Monk Holding a Book and a Long Implement
入馆年号1997年,1997.223
策展部门绘画和印刷品Drawings and Prints
创作者Bernardo Strozzi【1581 至 1644】【意大利人】
创作年份公元 1632 - 公元 1642
创作地区
分类图画(Drawings)
尺寸11 7/16 x 8 5/8英寸 (29.1 x 21.9厘米)
介绍(中)这幅由热那亚巴洛克大师贝尔纳多·斯特罗齐(Bernardo Strozzi)创作的精湛画作是一幅虔诚画作的预备研究,上面有"帕多瓦的圣安东尼与一本书和一朵百合花",现藏于威尼斯圣尼科洛·达·托伦蒂诺教堂(有关这幅画,请参见贝尔纳多·斯特罗齐的安娜丽莎·佩里萨,热那亚1995年,第78号)。这幅画

通常可以追溯到大约 1637-1640 年——也就是说,是艺术家在威尼斯职业生涯的最新时期——这幅画展示了斯特罗齐个人采用和解释当地威尼斯技术,用黑色粉笔在蓝纸上绘画,这是威尼斯人的支持。与圣徒的生动作品,以胸围长度看到,在其反面用钢笔和棕色墨水注释,并带有所谓的Borghese-Sagredo专辑"P.G.No 30"的库存号。首字母"P.G."证实了这幅画的归属于斯特罗齐,因为它们代表艺术家的传统昵称"Prete Genovese"(热那亚牧师)。萨格雷多的专辑现在被认为是由扎卡里亚·萨格雷多(1633-1729)在威尼斯组装的,正如皮耶罗·博卡多(Bernardo Strozzi 1995,第280页)所主张的那样,大多数包含"Prete Genoese"图纸的卷后来在威尼斯出售给法国收藏家让-雅克·布瓦塞在1664年至1664年间。

与艺术家的其他大型画作相比,斯特罗齐的《圣安东尼》是一幅尺寸相当小(110 x 91.5)的画布,但它在威尼斯取得了压倒性的成功,并在执行后不久被广泛复制和复制。截至今天,已知至少有五幅其他绘画副本,其中四种通常被认为是亲笔签名变体( Museo Civico, Asolo;公民博物馆"阿拉庞佐",克雷莫纳;切科尼收藏,佛罗伦萨[现已丢失])和当地威尼斯画家后来的两份复制品(私人收藏,罗马;圣拉扎罗·德利·阿梅尼,伊索拉)。在这三幅画中,威尼斯的一幅最接近博物馆的图纸,该图画在右手和左肩的定义中都显示了许多"pentimenti"(暂定轮廓)。

(弗里奥·里纳尔迪)
介绍(英)This superb drawing by the Genoese Baroque master Bernardo Strozzi is a preparatory study for a devotional painting with ‘St. Anthony of Padua with a book and a lily’, now in the church of San Nicolò da Tolentino of Venice (for this painting see Annalisa Perissa in Bernardo Strozzi, Genoa 1995, no. 78).

The painting is generally dated to ca. 1637-1640 - that is, to the latest period of the artist’s career in Venice - and the drawing shows Strozzi's personal adoption and interpretation of the local Venetian technique of drawing with black chalk on blue paper, the tipycal Venetian support. The lively composition with the Saint, seen in bust-length, was annotated on its verso in pen and brown ink with the inventory number of the so-called Borghese-Sagredo Album "P.G.No 30." The initials "P.G." confirm the attribution of the drawing to Strozzi as they stand for "Prete Genovese" (Genoese Priest), the artist’s traditional nickname. The Sagredo albums are now thought to have been assembled in Venice by Zaccaria Sagredo (1633-1729) and, as argued by Piero Boccardo (in Bernardo Strozzi 1995, p. 280), most the volumes containing the "Prete Genoese" drawings were later sold in Venice to the French collector Jean-Jacques Boisseu between 1664 and 1664.

Compared to other large scale paintings by the artist, Strozzi’s ‘St. Anthony’ is a canvas rather small in size (110 x 91.5) but it was received with overwhelming success in Venice and extensively copied and reproduced shortly after its execution. As of today, at least five other painted copies of the painting are known, four generally considered autograph variations ( Museo Civico, Asolo; Museo Civico ‘Ala Ponzone’, Cremona; Cecconi collection, Florence [now lost]) and two later copies by a local Venetian painter (private collection, Rome; San Lazzaro degli Armeni, Isola). Of the three paintings, the one in Venice is closest to the Museum’s drawing which shows numerous ‘pentimenti’ (tentative outlines) in the definition both of the right hand and the left shoulder.

(Furio Rinaldi)
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。