卡特，有色人种 - 美国大都会艺术博物馆展品查阅

品名（中）	卡特，有色人种
品名（英）	Carter, the Colorman
入馆年号	2001年，2001.121
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Charles Beale【1660 至 1714】【英国人】
创作年份	公元 1675 - 公元 1685
创作地区
分类	图画（Drawings）
尺寸	页: 10 1/4 x 8 英寸 (26 x 20.3 厘米)
介绍（中）	查尔斯·比勒二世对家人和朋友的杰出的红粉笔研究是他最杰出的遗产，尽管这些研究不是为了出售或展示。在这里，他描绘了一位出售艺术家材料的家庭朋友乔治·卡特（行为1680-1742）。这种亲密的方式和独特的技巧在斯图亚特晚期几乎是独一无二的，与荷兰的先例相比，与艺术家母亲玛丽·比勒的肖像画实践更为密切在他职业生涯的早期，这位艺术家主要是作为一名小型画家工作，并在大约20岁时绘制的这幅作品中完善了他的绘图技巧（其他1679年至1681年的作品保存在摩根图书馆和大英博物馆的素描本中）。Beale用蜡质的红色线条描绘了这张脸，对头发进行了更广泛的处理，只用了几笔来暗示领带和衬衫。他选择红色作为主色调是引人注目的，黑色的触感有助于定义瞳孔、鼻孔和耳朵，从而加强了其效果。
介绍（英）	Charles Beale II's remarkable red-chalk studies of family members and friends comprise his most distinguished legacy, though they were not intended for sale or display. Here, he depicted a family friend George Carter (act. 1680-1742) who sold artists' materials. The intimate approach and distinctive technique are virtually unique in the late Stuart period and relate more closely to Dutch precedents than to the portrait practice of the artist's mother, Mary Beale. Early in his career, the artist worked mainly as a miniaturist and perfected his draftsmanship in drawings like this one, made when he was about twenty years old (others that date between 1679 and 1681 are preserved in sketchbooks at The Morgan Library & Museum and the British Museum). Beale described the face using a tightly hatched web of waxy red lines, treated the hair more broadly, used only a few strokes to suggest the cravat and shirt. His choice of red as the primary tone is striking, and its effect is strengthened by black touches that help define the pupils, nostrils, and ear.