大卫国王与天使 - 美国大都会艺术博物馆展品查阅

品名（中）	大卫国王与天使
品名（英）	King David with Angels
入馆年号	2001年，2001.118
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Morazzone (Pier Francesco Mazzucchelli)【1573 至 1626】【意大利人】
创作年份	公元 1620 - 公元 1630
创作地区
分类	图画（Drawings）
尺寸	10 7/16 x 8 11/16 英寸 (26.5 x 22.1 厘米)
介绍（中）	大卫坐着的不朽雕像，当他从左上角的一位天使那里获得灵感时，他向下指；在正确的背景中，可以看到一个年轻的天使在弹奏竖琴。这幅相对完成的方形示范画（"dello"）是为支撑皮亚琴察大教堂圆顶的一个拱肩上的壁画做准备的，由莫拉佐内于1625-26年绘制，就在他去世前不久。壁画由Morazzone完成，其余的隔间由Guercino完成。在研究和完成作品之间的唯一区别中，这幅画省略了壁画中坐着的大卫正下方的天使的不朽飞行形象，天使手持卷轴。Morazzone的壁画可能是通过Giovanni Linati主教的干预而获得的，许多17世纪的作者都提到了这些壁画，这证明了该委员会的声望和重要性（Giovanni-Baglione，1642年，第186页；Scaramuccia，1674年，第164页；Carlo Malvasia，1678年，第二卷，第367页；Filippo Baldinucci，1681-1728年，第四卷，1846年，第653页） Pier Francesco Mazzuchelli"Morazzone"出生于皮埃蒙特小镇，因此得名。他在罗马接受了锡耶纳艺术家文图拉·萨利姆贝尼（Ventura Salimbeni）以宏大的历史绘画方式的训练，但同样受到伦巴第传统的影响，这也塑造了卡拉瓦乔。莫拉佐内的绘画主要是关于自然主义的形象词汇和对光的绘画探索。他是卡拉瓦乔在北意大利最重要的对手之一（卡门C.班巴赫，2009）
介绍（英）	The monumental seated figure of David who points downward as he receives inspiration from an angel at upper left dominates this scene; in the right background the youthful figure of an angel can be discerned playing the harp. This relatively finished, squared demonstration drawing (‘modello’) was preparatory for a fresco on one of the spandrels supporting the dome of Piacenza Cathedral, painted by Morazzone in 1625-26, shortly before his death. The frescoes were left unfinished by Morazzone and the remaining compartments were finished by Guercino. Among the only differences between study and finished work, the drawing omits the monumental flying figure of the angel bearing a scroll who is seen immediately below the seated David in the fresco. Probably secured through the intervention of Bishop Giovanni Linati, the frescoes by Morazzone are mentioned by a number of seventeenth-century authors, which attests to the prestige and importance of the commission (Giovanni Baglione in 1642, p. 186; Scaramuccia in 1674, p. 164; Carlo Malvasia in 1678, II, p. 367; and Filippo Baldinucci in 1681-1728, IV, ed. 1846, p. 653). Born in the small Piedmontese town that gave him his nickname, Pier Francesco Mazzucchelli "Morazzone" was trained in Rome by the Sienese artist Ventura Salimbeni in the grand historical manner of painting, but was equally influenced by the Lombard tradition that also shaped Caravaggio. Morazzone's drawings and paintings are primarily about a naturalistic figural vocabulary and a pictorial, quite magical exploration of light. He was among the most significant North-Italian rivals of Caravaggio. (Carmen C. Bambach, 2009)